A Quote by Sarita Choudhury

I've always wanted to do an Indian film, but I didn't want to come to India and pretend that I could play an average Bombay girl. — © Sarita Choudhury
I've always wanted to do an Indian film, but I didn't want to come to India and pretend that I could play an average Bombay girl.
Bombay as a confident, welcoming city that takes in a million new people a year, that those who want to harm the country pick Bombay. Other Indian cities, such as Delhi and Varanasi, have also been bombed recently, but Bombay's significance as the financial capital of the country means that it's the best target for terrorists who're unhappy with India's progress.
My background is from India, and I always get asked, 'When are you going to do an Indian film, a musical or Bollywood film?'
'Newton' is a very Indian film. I think, after a long time, people will see an Indian film in its true form. As in the story, the character, it is set in the heartland of India, but it's purely like how there was a time when Hrishikesh Mukherjee used to make sweet Indian films.
Even in India the Hindi film industry might be the best known but there are movies made in other regional languages in India, be it Tamil or Bengali. Those experiences too are different from the ones in Bombay.
I did not want to be the stereotype of either Bollywood or what Indian actors are usually offered. The exotic, beautiful girl, or the academically inclined nerd. And I wanted to play a lead... I didn't settle for less.
Having portrayed English-speaking Indian characters in British and American projects, I have always wanted to use my mother tongue in an Indian film.
I basically love classical music. I love a lot of musicians playing together and the whole culture of that whether it's Indian or it's Western. But in India, I think it's limited to filler music unfortunately. That's one thing I want to push in India where we have the infrastructure of an orchestra where you play Indian melodies with an orchestra and something different for a universal audience. It requires a lot of work from me.
The average Indian doesn't care about Hollywood movies because they have far too many movies of their own to watch, to miss, and I hope a story like 'Million Dollar Arm,' that is actually about India and deals with these two Indian kids, resonates over there and makes people want to go and see the movie.
As far as the industries go, in the North, they think I'm a South Indian actress; down South, I've always been thought of as a Bombay girl. I guess it's sort of an identity crisis, even though I'd like to belong to all the industries.
If anyone thinks Indian Muslims will dance to their tune, they are delusional. Indian Muslims will live for India. They will die for India. They will not want anything bad for India.
India's way is not Europe's. India is not Calcutta and Bombay. India lives in her seven hundred thousand villages.
Bombay is far ahead of Bengal in the matter of female education. I have visited some of the best schools in Bengal and Bombay, and I can say from my own experience that there are a larger number of girls receiving public education in Bombay than in Bengal; but while Bengal has not come up to Bombay as far as regarded extent of education, Bengal is not behind Bombay in the matter of solidarity and depth.
I love all kinds of Indian music, and Indian food as well. If the chance arises for me to play in India, I'm there.
'Viceroy' is the first British film about the Raj and the transfer of power from Britain to India made by a British Indian director. It is a British film made from an Indian perspective.
'Bombay Velvet' is my first film in a trilogy about Bombay, before it became a metropolis.
I don't want to go and play a cliched Indian girl.
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