A Quote by Sasa Stanisic

Something as radical as a war can only be understood (if at all) through the collaboration of journalists, academia, artists and, of course, people. — © Sasa Stanisic
Something as radical as a war can only be understood (if at all) through the collaboration of journalists, academia, artists and, of course, people.
I'm very much into collaboration. I think that collaboration is the road to making something great. I respect artists that are more autocrats and are in control of their own projects, but it's not really my style. I've always had that partnership.
If being an advocate of peace, justice, and humanity toward all human beings is radical, then I'm glad to be called radical. And if it is radical to oppose the use of 70 percent of federal monies for destruction and war, then I am a radical.
Call me radical, but I've always thought there are at least two subjects on which journalists are absolutely entitled to express public opinions: freedom of expression, and attacks on journalists.
I came to these mediums through having the garden, and of course, people who have designed gardens have always worked in collaboration, and never made their own inscriptions.
Most people consider the course of events as natural and inevitable. They little know what radical changes are possible through prayer.
People say, 'Oh, you're doing the job of journalists.' I think it's very important to note that we can't do our job without journalists. Journalists can do their job without late-night comedians. They'd be just fine without us. But we, of course, use their work every day to build our pieces.
I like working with people. I believe change can only come through collaboration.
Of course, the process of curating is different from art making. Exhibition-making is a process that involves collaboration with various participating artists.
Journalists don't sit down and think, "I'm now going to speak for the establishment." Of course not. But they internalize a whole set of assumptions, and one of the most potent assumptions is that the world should be seen in terms of its usefulness to the West, not humanity. This leads journalists to make a distinction between people who matter and people who don't matter.
There aren't a lot of guys like me left. But I'm a war horse. I've been through it all. And you know something about war horses? Through the sleet, through the snow, they just keep going.
David Axelrod says we need to inspire more young people to be journalists? How about inspiring journalists to be journalists?
The framers understood that the momentous decision to go to war requires the informed consent of the American people, expressed through their elected representatives.
If we think the main mission of the church is to improve life in Adam and add a little moral strength to this fading evil age, we have not yet understood the radical condition for which Christ is such a radical solution.
In times of war, as everyone knows, who has lived through one, or talked to soldiers when they are allowing themselves to remember the truth, and not the sentimentalities with which we all shield ourselves from the horrors of which we are capable ... in times of war we revert, as a species, to the past, and are permitted to be brutal and cruel. It is for this reason, and of course others, that a great many people enjoy war. But this is one of the facts about war that is not often talked about.
We are advocates of the abolition of war, we do not want war; but war can only be abolished through war.
Let the liberal turn to the course of action, the course of all radicals, and the amused look vanishes from the face of society as it snarls, “That’s radical!” Society has good reason to fear the radical. Every shaking advance of mankind toward equality and justice has come from the radical. He hits, he hurts, he is dangerous. Conservative interests know that while liberals are most adept at breaking their own necks with their tongues, radicals are most adept at breaking the necks of conservatives.
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