A Quote by Sascha Radetsky

It's an unfortunate reality of being a male dancer that it's not really looked upon... it's not appreciated. — © Sascha Radetsky
It's an unfortunate reality of being a male dancer that it's not really looked upon... it's not appreciated.
I've always had gender confusion. I had two older brothers, and I've been predominantly male influenced. I really always looked up to my dad, really always looked up to my brothers... I had a lot of male friends growing up. It didn't help that in my town, where I lived, there were no female musicians.
I think most people don't really understand all that it takes to stand on your toes, and to be able to jump and land without any noise, or for a male dancer to be able to lift a girl. All of these things look so effortless, but there's an attention to detail and years of training, as well as being able to transform into a character and being able to meld all of those things together.
The world we live in is made up of polar opposites, black/white, male/female, night/day, and a human being who possesses both masculine and feminine – vulnerability and strength – is intriguing to us, whether they be a singer or actor or dancer, intrigues us, because THAT Is who we really are.
It's an unfortunate fact that in the male black population, a very significant percentage of them, more so than whites or other minority candidates, because of convictions, prison records, are never going to be hired by a police department. That's a reality. That's not a byproduct of stop-and-frisk.
If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them.
I used to get made fun of a lot for being a male dancer, especially growing up in Boston. Kids are terrible, they don't realize how heavy words can be.
As the tall dark and handsome male star, Carey Grant always stands for male beauty and desirability, whether in a 30s screwball, a 40s film noir, or a 50s romantic comedy. He consequently turns around the orthodox gender between the one who looks and so desires, and the one who is looked at, and so is being desired.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
Being a dancer is my metaphor for life because you have to know your body. Being a dancer and paying attention to fitness is all about moving in balance.
I think people don't often realize how much goes into being a male dancer. It's athletic and it's hard. It's not just men wearing tights, or wanting to be around women.
In those days, male dancers were a rarer breed than women. as they are still today, A good male dancer, one as strong as we were, was very difficult to come by if you couldn't afford to pay them.
It fit into my scheme of things for many reasons. At the time it was true that male dancers were looked down upon, and it was true that a lot of the male dancers were effeminate. But what I was really trying to do was develop something that would be American.
As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
The greatest gains and values are farthest from being appreciated. We easily come to doubt if they exist. We soon forget them. They are the highest reality.
Whatever Scotland was, it was not a matriarchy; whereas the United States was a profoundly matriarchal society - and much more feminine than would be suggested by all that male bravado. That was a front, and a misleading one at that; underneath the male swagger lay a passive acceptance of female dominance - a fact not always appreciated by outsiders.
Being an Orlando Magic dancer was definitely one of the most exciting times of my life. Being on the team was really like being in a sisterhood.
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