A Quote by Saschka Unseld
I want to be in control of drafting at least 80% the timing and cohesiveness of character and narrative. I want to be in control of giving you an experience, and want you to be acknowledged as an audience and can do things but only in a limited scope.
Related Quotes
The main thing is the ability to control your instrument, which, in the actor, is yourself. Look the way you want the character to look. Sound the way you want the character to sound. Once you've trained the instrument to do what you want, you're in control, and you're free.
We want to be in control of our lives. Whether we are jungle fighters, craftsmen, company men, gamesmen, we want to be in control. And when the government erodes that control, we are not comfortable.
Between 20km and 10km to go, you want the whole team at the front. You don't necessarily want to take control, and the speed will be dictated by how many surges you get from the other teams. You don't want to go so fast they can't come, but you want to be just ahead so you're in control.
Those public employee union bosses think they already control the legislators, they already control everyone up there in Sacramento, and now, because they have the money, they want to control all of you, .. They want to raise your taxes. It's all going in that direction -- raising your taxes. But I'm here as your warrior, remember that. I want to protect you.
I don't give you editorial control. I want to meet you. I want to interview everybody who's ever known you. I want to see your correspondence. I want to see your bank statements. But you will have no control over what I write. That's why I really believe in the unauthorized biography.
There's only so much you can control when you're fighting, so the things you can control - like your fight song - are pretty important. So you want to pick that wisely.
Why extremists always focus on women remains a mystery to me. But they all seem to. It doesn’t matter what country they’re in or what religion they claim. They all want to control women. They want to control how we dress. They want to control how we act. They even want to control the decisions we make about our own health and our own bodies. Yes, it is hard to believe but even here at home we have to stand up for women’s rights and we have to reject efforts to marginalize any one of us, because America has to set an example for the entire world.
We have no control over the outcome of anything. Like the planet and global warming, we don't control that. If politicians want a war we don't control that. Acts of terrorism, we can't control them.
I want the peace in knowing that is wasn't for lack of hustling that I missed a target for my dream. I want to know that the one thing in my control was under control.
I definitely prefer the single camera better. For me it's the simple fact that I enjoy working in front of an audience, but when you're trying to create a suspension of disbelief it's much harder to do in front of audience because they become a partner. Moreso than that, they become in charge of the timing. From the simple, mechanical fact that you have to hold for their laughter. The actual timing of the scene is in the hands of the audience. As a control freak, I don't enjoy that as much as the ability to be able to control it in an edit room.
I can't always control my body the way I want to, and I can't control when I feel good or when I don't. I can control how clear my mind is. And I can control how willing I am to step up if somebody needs me.
STREET by 50 is all about giving our fans the finest music experience we possibly can. The response to the limited edition colors so far speaks for itself - the fans want the opportunity to match their headphones to their personal style, and we definitely want to make sure to give them what they want.
Every play is rhythmic control. If you want an audience to go on a journey, it's rhythmic control. You're crafting when they lean in, when they push back, when they breathe, when they surrender.
Taking drugs on a recreation level is one thing. But taking them while you're working on a stage is, I don't think it was that great. It's the control factor. And the thing about being on stage, you really want to feel that you're sort of in control a lot. It's not a place where you want to be out of control.
The argument that won the Brexit campaign is the one that said take back control... which is another way of saying we want to control our destinies again. This is an existential issue for the whole of Europe, not just for the U.K., because this sentiment is not limited to the United Kingdom.
The white man is too intelligent to let someone else come and gain control of the economy of his community. But you will let anyone come in and take control of the economy of your community, control the housing, control the education, control the jobs, control the businesses, under the pre-text that you want to integrate. No, you outta your mind.
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