A Quote by Sasha Alexander
I just saw the movie for the first time in its entirely last night. It's really cool when you're in with an audience that's so tuned in and plugged in to what's going on.
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With Hairspray, we had a great experience. I always think of the last time I saw Divine: He was in the last booth in the back of the Odeon. Now every time I go in there, I look at that table. It was a wonderful night.Hairspray had been out a week; it was a hit. If I had to pick a night that was going to be the last night.
My latest theory is that it's - well, I describe it as, like, being in an apartment with kind of thin walls. And in the apartment next door, they've got a radio tuned constantly on - tuned to a really cool radio station. It's on all the time. And you can just hear it coming through the wall all the time.
I was also a fan of the first one Saw movie. I knew there was a danger in doing the sequel, especially like this. They have such a core audience for the Saw movies. The fans of the movie actually demanded a sequel. They were on the internet going crazy. I don't even go on the internet. I don't even know how all this stuff happens. But they wanted it and one the one hand that's good, because you know there's an audience.
Hopefully everybody in the audience thinks, 'That's cool. I could do that.' I don't like the thought that they say, 'I saw the Beastie Boys last night, and they're mega-stars.' I'm a lot happier when the kids who come backstage or to the hotel try to give us tapes of what they've done instead of just getting an autograph.
I first saw Walter Hill's second film, 'The Driver,' as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. Given that this 1978 slice of neo-noir takes place almost entirely in the dark streets of a deserted downtown L.A., it's really a perfect midnight movie.
I really liked the snake that breaks out of the cage in the beginning of the movie. I saw it in real life, and it was really cool. Really big and fat. The owls are cool as well, but you can't really pet them.
Inspiration is a really hard thing to describe, but it's something that triggers your brain, like the first time I heard a certain guitar player that I loved or the first time that I saw a monster or the first time that I saw anything that really was an epiphany for me. It just stays with you your whole life.
My first movie I saw when I was a kid was 'The Jungle Book.' I was 5 years old, and I saw it in a movie theater. Seeing that movie really lit the fuse and ignited my passion for animation.
You can work on a movie for years, and you won't know until you show it to an audience for the first time if it makes any sense to them at all, if they're touched, if they find it funny, so it's endlessly exciting, because failure is just right there all the time, and your chances of success don't rise that much based on the fact that you succeeded last time.
I was in a movie called 'Vanishing on 7th Street,' and that was my first leading role in a movie. It's an apocalyptic thriller, and it's really cool. It's the first movie I ever shot.
'Galaxy Quest' was cool to work on. When I first signed on, I really didn't know anything about it. I read the script, which I though was cool, but it wasn't until I saw the designs for the CG stuff that I knew it was going to be pretty sweet.
I just saw 'Men, Women & Children' last night, and it's a devastating movie in a lot of ways, but it's so well done, so well acted.
There have been a few times when I've read a script and it's really cool but the girl character's just kind of pathetic. It's not going to do me any favours just being 'the girl' in a cool movie.
My first and last love will always be fiction. It's the first thing I do in the morning and the last thing I do at night. I love the novel because it's like a love affair. You can just fall into it and keep going, and you never know where it's going to take you.
The first time I ever saw a horror movie, I think I was in middle school, and we watched 'I Know What You Did Last Summer' and 'It' at a slumber party.
Yet another last night. The last night at home, the last night in the ghetto, the last night in the train, and, now, the last night in Buna. How much longer were our lives to be dragged out from one 'last night' to another?
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