A Quote by Sasha Alexander
Stage work, that's all I have in my background. Wasteland was my first TV experience. Dawson's was my first long-term, I mean the entire season of 22 episodes.
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It's hard to tell what an entire series is going to be based on the first few episodes, or even on the first season. And it's sad because you see great casts and good ideas that don't get that opportunity to grow and show what it could turn into.
How that works is our first season was the year we had a threatened writers' strike, so what we did was that instead of doing 22 episodes, we did 30. We put 10 in the bank.
I've always had a show that went seven episodes or 13 episodes or whatever. And I've never had a show that's gone past a first season. It really is a lot of work.
We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market.
The most challenging thing for a young entrepreneur is to think long-term. When you are 22 years old, it’s hard to think in 22-year increments since that’s as long as you’ve been alive. But it’s really important to view your life as an entrepreneur as a long journey that consists of many short-term cycles.
There are movies where I've walked onto the set and felt, "This is home," and I'm confident in myself and my work, but that was my first experience of live TV. At that stage, Friends was at its unassailable height of popularity and brilliance.
We've always dreamt of a TV series and working in film. When we first sat down to seriously write 'A Little Nightmare Music,' to write something for TV was our original inspiration. But all the stuff we were writing down is not going to work on stage. We had to rewrite it so it would work on the stage.
You know, people are dying, not only the 22 suicides a day which is inconceivable when you hear that. When I first heard that I said, no you mean a month. I mean, can you imagine a day, 22 suicides a day? A lot of the suicide is people can't get to see doctors, a lot of it because the waits are so long. That's an administrative problem.
TV series, there's a lot of everybody talking to you and giving you input for the first couple episodes, and then they're on such a crazy schedule that you get another episode on a Monday, you have to have it done by Friday and it becomes very solitary work usually, TV shows.
Now let me make it clear that I believe there can only be one defense policy for the United States and that is summed up in the word 'first.' I do not mean first, but. I do not mean first, when. I do not mean first, if. I mean first - period.
I was doing Babylon 5 season two and I was in all 22 episodes of that.
Whenever you're blessed and given a second season, you can really let the characters evolve. That first season, you're setting everything up. It's background, where they're coming from, what they want to do. And then you get to marinate in it that second season.
'The Good Wife' was definitely the biggest surprise and gift that I've had in a long time, and that did come out of some other work that I had done. That whole adage of 'work begets work' actually worked in that case - it was at the very end of their first season that my character was first introduced.
The Good Wife was definitely the biggest surprise and gift that Ive had in a long time, and that did come out of some other work that I had done. That whole adage of work begets work actually worked in that case - it was at the very end of their first season that my character was first introduced.
We really don't discover fully what 'Westworld' is for this first season, until we get there. The first 10 episodes are the journey. The colors become brighter, the vistas become clearer, and the history is more understood with each step we take along the way.
It's really the rare creator who can tell you where he's going to end the season of 22 episodes. That's not bad. That's part of the creative exploration.
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