A Quote by Sasha Grey
Americans give you the violence, Europeans give you the sex. I think people have been saying that since the 70s. And I think it's kind of pathetic that Americans are still stuck - on the shock value of violence, when sex is such a natural thing for everybody.
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Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development.
Two things I do well in books are sex and violence, but I don't want gratuitous sex or violence. The sex and violence are only as graphic as need be. And never included unless it furthers the plot or character development
My approach to violence is that if it's pertinent, if that's the kind of movie you're making, then it has a purposeI think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process. I like to think it's not violence for the sake of violence and in this particular film, it's actually violence for the annihilation of violence.
It's not an anti-sex trip. Like, we're taking sex, which is probably another half of American entertainment, sex and violence, and we're projecting it, and we're saying this is the way everything is right now.
I'm not talking so much about sex - after you've seen sex in a picture, what else can happen - but violence is very bad. People think these are things you are allowed to do. I think they should be forbidden.
Want of passion is, I think, a very striking characteristic of Americans, not unrelated to their predilection for violence. For very few people truly have a passionate desire to achieve, and violence serves as a kind of substitute.
So I think we're kind of an alternate choice for people who have had it with sex and violence.
We tried to make a movie that had sex and violence because we like sex and violence.
I think that the enormous emphasis on violence and sex, and in particular violent sex, may not make rapists of us all, but it predisposes us to accept a kind of world in which these things happen.
I don't think that swearing or gratuitous violence or sex make a show better. I just think there are natural rhythms to a human being in these situations, and what happens in these situations that cable allows is a natural reaction.
I'm really interested in violence. And I think there's an inevitably cinematic property that violence brings to the moviegoing experience. But one still has to be thoughtful and mature about how you depict it and how you think it through. You have to think about the effects that violence has on audiences, and it's deployed so casually that I think it's losing its meaning. And when things like violence and murder and the dehumanization of other people lose their meaning, then we're really kind of in a place where we have to reexamine and take a hard look at ourselves.
Their violence (the jungle wars of the '70s), and all violence for that matter, reflects the neutral exploration of sensation that is taking place, within sex as elsewhere and the sense that the perversions are valuable precisely because they provide a readily accessible anthology of exploratory techniques.
Sex was a great no-no for Americans, so that was obviously an attraction to the writers, and since sex is a great part of most people's lives, it's a great subject.
It's a cliche, but Americans are puritanical. In their movies, they are scared of sex, but they overindulge in violence. I could have cut a G-rated version of 'Y Tu Mama Tambien' that would have pleased the American ratings board, but it would have been five minutes long.
Gun violence is almost promoted onscreen in these huge blockbusters and then sex is still so shocking. But I also can understand that people find it uncomfortable, which I think is cool.
The same authorities who insist upon beginnings, middles, and ends, declare that Great Literature (by which they mean the stories they have been taught to admire) is about love and death, while mere popular fiction like this is about sex and violence. One reader's sex, alas, is another's love; and one's violence, another's death.
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