A Quote by Sasha Pieterse
The vibe of my wedding is kind of going to be ethereal. Simple and modern, in a way, but with a lot of greenery. So, eucalyptus, olive branches, moss, and candles - it's going to be very... I want it to feel very comfortable, but obviously sleek.
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I think if somebody comes up and simply says, your jobs? I'm going to bring them back. You're not comfortable with the browning of America? I'm going to build a wall. ISIS, I'm going to defeat them. Those are very - it's a simple, but it was a compelling message for a lot of people.
I feel very comfortable with the way I look, and I feel very comfortable with the kind of confusion that it creates in people's minds.
I am very, very uneasy with churches that have basically said, "Well, since that's what people want and that's what sells, then were going to do our worship services like Hollywood productions. We're going to have a lot of bells and whistles. We're going to have high entertainment value, and it is going to have a lot of gloss and glitter."
It's very nerve-wracking dressing someone because you obviously do everything you can to get them to be interested in something you've done, and then you hear they're wearing it, and then, obviously, they're going to step out in it, and you want to know that it's all going to work and what everybody's going to say about it.
After I did the drawings of trees combining them with words, I started doing - I did that for a very short time. Then it kind of - that sort of evolved into just showing the branches of a tree coming down into the trunk and then going into the root system. So I showed both the branches and the roots of a tree, which were about equal. There is as much going on under the ground as is going on above the ground, which you can see.
I think positionally I've improved. One vs. one I feel more comfortable. I knew that was going to come - obviously that's the kind of thing that comes with experience.
Another way of working is setting deliberate constraints that aren't musical ones - like saying, "Well, this piece is going to be three minutes and nineteen seconds long and it's going to have changes here, here and here, and there's going to be a convolution of events here, and there's going to be a very fast rhythm here with a very slow moving part over the top of it." Those are the sort of visual ideas that I can draw out on graph paper. I've done a lot of film music this way.
A lot of the vibe in London is being sucked dry because of the economic situation. It's very expensive, and it gives you nothing back. New York still feels like there's stuff going on. People are struggling to create art. There's still a vibe.
Yeah, there are a couple of wrestling shows out there with very, very good production values in RAW and SmackDown, but I think we're going to offer something completely different from what they offer, a very, very different kind of product that visually is going to look as good or better in a lot of ways.
The way I write is very much without kind of a goal. I have something I'm interested in and then I decide I'm going to explore it. I don't know where the characters are going to go, I don't know what the movie is going to do or what the screenplay is going to do. For me, that's the way to keep it alive.
I think about the structure, sure. I think about what's going to happen, and how it's going to happen, and the pace. But I think if I stop to think about it in an abstract sense, I feel very daunted. I just try to enter into the story and feel my way through it. It's a very murky, intuitive way of going about it.
I have a lot of love for nature, trees, animals and greenery, and I feel that if I did not exist, there'd be no greenery on the face of the earth.
Having serious consequences to your decision-making process is something you have to be very comfortable with. It's something you learn and you practise over time, so I encourage people to find some way to challenge themselves. The other thing I share with people, which I've learned over time, is self-confidence. You have to get very comfortable with saying, "Well, every day, I'm just going to give my best. I have skill sets I've learned, I'm going to employ them, and my best is going to be good enough".
If I feel there's any weird tension or not a very nice vibe going on, I just remove myself from the situation.
What happens when I'm dealing with the problems in North Korea and the Middle East? Are you folks going to be reporting all that very, very confidential information, very important, very - you know, at the highest level? Are you going to be reporting about that, too? So I don't want classified information getting out into the public in a way that was almost a test.
I think the T-Shirt bra is really special for Victoria's Secret because it's that kind of simple bra that you wear under the t-shirt, so it doesn't have any lace or anything like that. So it's very smooth; it's very comfortable; it doesn't have a lot of padding in it.
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