A Quote by Sasha Pieterse
I've been singing for a really long time and I love a lot of genres, but country just seemed like the best fit. The people in that genre are just so nice and welcoming. And that seemed so appealing. Also my voice fit it and seemed like the way to go.
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My favorite movies are movies from the '70s, like 'Midnight Cowboy' and 'Dog Day Afternoon' and 'One Flew Over the Cuckoo's Nest,' and to me, 'Hereditary' seemed like it fit in with those movies, and it was just horrifying. It seemed like it took the things that I love about movies and really fleshed out characters.
There are a lot of war memorials around the UK. It's usually a part of the war memorials. I loved the way The Glorious Dead sounded. It's kind of a strange thing to say. There's nothing particularly glorious about being dead. It sounded like a strange, horror film. It just grew from there, really. It seemed quite apt for the record. We're kind of obsessed with zombie movies and horror films. It seemed like it just fit, at the time.
Their fingers seemed to fit together in just the right way- effortlessly clasped,like perfect complements.
It's just kind of seemed like a funny way to explore action movies, I guess. I mean, I'm a big fan of them always. It's always people who are very equipped to deal with the situations that they're thrown in. So, the notion just seemed funny, because it's, like, basically stoners are kind of the last guys in the world who are equipped to deal with that. And the humor possibilities just seemed somewhat endless.
The whole point was just to be yourself, no matter what that was. You didn't have to fit into a certain punk-rock cliché. Create whatever your compelled to create. People were putting out their own records, and it just seemed natural to put out my own magazine. When I was really young, I started making magazines and little books, just folded-over pieces of typing paper, so when I discovered punk rock, it really blew my mind. I played in bands and stuff, but making my own zines seemed like an inherent part of that scene.
I liked it. I liked her. And every time I saw her, she seemed more beautiful. She just seemed to glow. I'm not talking like a hundred-watt bulb; she just had this warmth to her. Maybe it came from climbing that tree. Maybe it came from singing to chickens. Maybe it came from whacking at two-by-fours and dreaming about perpetual motion. I don't know. All I know is that compared to her, Shelly and Miranda seemed so...ordinary.
My love for weight training and competing just seemed like a perfect fit for strongman. So I decided to give it a try, for fun, really. It's definitely not for everybody, but if you love working out and being competitive and pushing yourself to the limit, it's great. It's fun, for sure.
I do a lot of pivoting. There was one cover I did of Donald Trump, after he won Iowa, it seemed like it was over for him at the beginning of the primary process. I was given the go-ahead on it right away. I drew it and he won the next primary, and suddenly, the cover didn't make any sense. And then, after the Democratic National Convention, it seemed like he was finished, Hillary Clinton seemed to be gaining strength, so the cover ran then. So it seemed like you can come up with an idea and it can be rendered useless two days later and then all of a sudden it's relevant again.
I was working more on a primal, instinctive level. And it just seemed to suit me; it seemed to suit my concentration span, it seemed to suit my personal style of performance, and I have fallen in love with film acting.
I think there was a brief period where Norwegian bands were evolving and that was an interesting time where it seemed like a band like Darkthrone was stuck in the midst of a lot of change and seemed a bit redundant.
A lot of tournaments that I can remember I made a few bad shots and I was afraid I would lose the tournament and it seemed to work, the putts seemed to go in. Just the Desire.
I was sick and tired of reading other people's epigraphs. They all seemed to be in ancient Greek, middle French or, when they were translated, they never seemed to relate to the book at hand. Basically, they seemed to be there just to baffle you and to impress you with how smart the writer is.
We found that if you played a bunch of punk singles in a row, people would dance like crazy and then get worn out and go somewhere else in the house. And if you played reggae all the time, people ended up leaning against the walls and nodding their head. But if you mixed it up, the floor got more and more packed, and the energy from the two types of music seemed to feed into each other, and the adrenaline from the punk, and the seductive sway of the reggae seemed to fit together.
I think '60s are appealing to creative people, because it seemed to be a time of endless possibilities, when the boundaries of what could be considered popular culture were being expanded almost by the week. It doesn't feel like that anymore. At times, I wish it were so. Radio is a perfect example; good God, I mean, back then the most interesting songs were also hits, and that's just not true anymore. It hasn't been true in a long time.
The late '90s were a really bad time for people trying to be rock stars, you know what I mean? It seemed like everyone was a one-hit wonder on the radio. We had friends who had a hit single on the radio and sold 500,000 records, and then they couldn't get arrested a year later. I had this feeling at the time that that was not possible anymore, so the idea of becoming the biggest band in the country—it seemed laughable. I felt that having those sort of ambitions was foolish, because there was no way that was going to be possible. If you saw it that way, you were just deluding yourself.
It just seemed to me to be a great story, set back in its time but something that seemed to have relevance for our time. Now that the film is coming out, it looks like we're back in another time where repression of expression is all the rage.
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