A Quote by Sasha Pieterse
Being in L.A., it was really hard to find a country writer and producer. I eventually - years of searching - found this guy, Dan Franklin. He's an incredible musician and producer. We write so well together... It's been a really cool experience.
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I'm unapologetic about multi-tasking. From being a television producer to a musician, an actor, and a film producer, I would like to believe there has been growth in my career.
Initially it was so important for me to be credited as a producer, play all these instruments and be the sole writer on everything. I think especially as a woman, you want to be taken seriously as a musician, as a producer.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
I'm not a full-fledged producer, but I can be one if I want to really spend my time on straight being a producer.
Although I have guitars all around, and I pick them up occasionally and write a tune and make a record, I don't really see myself as a musician. It may seem a funny thing to say. It's just like, I write lyrics, and I make up songs, but I'm not a great lyricist or songwriter or producer. It's when you put all these things together - that makes me.
Before I hit any country I always do my research. I look at what's on the chart there, what's worked in the last few years. As a deejay, as a producer, that's when I get editing. I bring my own edits of tracks that are really cool and happening out there.
I don't think of myself as a producer. In television, it's part of the business - if you progress and become successful as a writer, you're called a writer-producer. What that means is that you have a lot of say in casting and behind-the-scenes stuff. But I'm just a writer.
You always have to remember in this business that the public doesn't care about us. It's very important to keep that in mind. If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time.
Although I have guitars all around and I pick themm up occasionally and write a tune and make a record, I don't really see myself as a musician. It may seem a funny thing to say. It's just like, I write lyrics amd I make up songs, but I'm not a great lyricist or songwriter or producer. It's when you put all these things together - that makes me.
Nothing means more to me than making the best music and me getting better as a writer and producer... I want you to know I work really hard. The bar is really high.
I love being a producer, and I think I essentially still operate as a producer even though I now have control of marketing and the ability to green-light shows - something every producer wants but that they don't get!
It's interesting most people don't really know what a producer does and really the producer is the very first person on-site and the very last one to leave.
I think I'm an extremely conscientious producer and now equally as a director and it gives me the opportunity to look at the entire movie and really allow the movie to be the creative vision of the actors, the writer and myself, because I'm in charge of it from a producer and a director point of view.
If you're always waiting for a producer to hire you... your chances are really, really small. I've been knocking on doors and asking for a job for many years, and my career really changed when I decided to create my own material.
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