A Quote by Sasha Roiz

There seems to be a real taste for the fantastical these days. People like to get back into their imaginations. Maybe there's something a little nostalgic about 'Grimm' and the fairy tales that they grew up with. And it's a very unique approach to the procedural side of things.
My relationship with Wilhelm and Jacob Grimm reaches far back into my childhood. I grew up with Grimm's fairy tales. I even saw a theater production of 'Tom Thumb' during Advent at the State Theater in Danzig, which my mother took me to see.
I did translations of Grimms' Fairy Tales and became very charmed about that way of looking at things. Fairy tales tell a lot of truths. Just as a side point, for instance, we always think the bad guys in fairy tales are the stepmothers, who are witches. But where are the fathers when the witches are killing and mishandling their children? Away. They are on a business trip. They are hunting, they are away. Wow, you know! No one says the fathers are the bad guys! It's one of the things you don't say. But my goodness, where are they?
In kindergarten that used to be my job, to tell them fairytales. I liked Hans Christian Andersen, and the Grimm fairy tales, all the classic fairy tales.
I grew up watching monster movies and horror movies, which I felt were like fairy tales and I think this always spoke to me. Something about that is symbolism - the beauty and the magic which helps me work with film and start making modern fairy tales.
[Fairy tales] are like a journey to the woods and the many ways you can get lost. Some people say it's not a good idea to read fairy tales to anyone under the age of eight because they are brutal and raw. When I was a kid I often felt that kids's books were speaking down to me, but I never felt that way about fairy tales. They are bloody and scary, but so is life.
I think almost everybody enjoyed fairy tales when they were young, tales of witches and ogres and monsters and dragons and so forth. You get a little bit older, you can't read fairy tales any more.
I grew up with Bible stories, which are like fairy tales, because my father was a minister. We heard verses and prayers every day. I liked the gorier Bible stories. I did have a book of Chinese fairy tales. All the people except the elders looked like Italians. But we were not a family that had fiction books.
In music, on stage and on screen, fairy tales have always been guaranteed moneymakers. It's no wonder then, that in these difficult economic times, there are fairy tales everywhere you turn. From 'Once Upon a Time' and 'Grimm,' to 'Mirror, Mirror' and 'Snow White and the Huntsman.'
I loved reading Grimm's fairy tales and Hans Christian Andersen, and I loved to dream about other worlds and other lives. Maybe that has something to do with having an incomplete family, being an only child. All I know is I loved to pretend, and all that was in tandem with my wanting to be an actress.
I think as humans we're nostalgic creatures and that's what we do. We go back to things that have a semblance of something comforting, or enough time passes that it seems cool again, or maybe it's something that some people didn't even experience.
I loved fairy tales when I was a kid. Grimm. The grimmer the better. I loved gruesome gothic tales and, in that respect, I liked Bible stories, because to me they were very gothic.
Every kid loves fairy tales, stories of witches and giants and magicians. Then, when you get a little older you can't read fairy tales anymore.
It could have been like a fairy tale. But fairy tales aren't real. Things don't work like that. There's a price for everything.
Indexing' is a police procedural about protecting the world from memetic incursions - which is to say, fairy tales.
The old fairy tales are very, very violent, and these days I think we could do with a little less of it.
Like a grindhouse version of Grimm's Fairy Tales, Wallwork's fiction is smart, innovative, and a hell of a lot of fun.
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