A Quote by Sasha Velour

The truth is I do take drag really seriously, and I think that there's kind of a place for that - to see it as this political and historical art form, and to want to continue pushing it in new directions. And also honor the old directions as well. So I'm sort of like a drag intellectual/drag queen.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
In my early career I was sort of anti-drag. I said, 'Drag is dumb and boring, and I want to be an effing weirdo and go crazy and rebel.' But now it's like I've come to respect and understand how deep and traditional drag as an art form is.
I feel like I am just an entertainer. It does not matter what form I take to perform and entertain. I think I deserve being called a performer because you don't call Tyler Perry a drag queen. You don't call Will Smith a drag queen and all the other mainstream artists who use the aesthetic of drag to entertain.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
A drag queen is one that usually goes to a ball and that's the only time she gets dressed up. Transvestites live in drag. A transsexual spends most of her life in drag.
I've loved the RuPaul model of drag, where you're an amazing drag queen, you're a smart and savvy business person, and you use those together to keep drag at the forefront of what people are talking about.
I have a lot of talent and sometimes, you know, when people see you're a drag queen they go, 'Oh, he's a drag queen. That's what he does.' But I'm always excited to... stretch the boundaries on how they see me.
The average person assumes that you're a drag queen so you're a nelly and you want to be a girl, which is not the case, and I think Drag Race has changed that for us.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
I have an inner drag queen. Or rather, I feel like I was a drag queen in a past life.
As gay people, we always think outside of the box. The irreverent is always important to a drag queen and anyone else who lives outside the box. And this is why drag's important: remember to not take life seriously. It's always important to see the laughter in the illusion that we pretend is real.
Drag will always be a dynamic and powerful art form, and it is my duty now to honor the artists who have come before me while continuing to pioneer my own path and history by being open to growth and change as a human and a drag superstar.
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
I wanted to be a drag queen so badly. I'll bet I still own more wigs than any drag queen - I love me a wig.
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