A Quote by Sasha Velour

Just in my experience as a drag queen, I've been able to connect with queer people around the world - and to see them connecting with each other over a shared love of drag!
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
I hope people realize that drag queens and queer people, we're not just archetypes and stereotypes. We're human beings with a lot to share. And a drag queen doesn't have to just be a clown, she can also be like a cooking TV personality or like a DJ, or a talk-show host. We should be able to infiltrate TV everywhere.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
I have a lot of talent and sometimes, you know, when people see you're a drag queen they go, 'Oh, he's a drag queen. That's what he does.' But I'm always excited to... stretch the boundaries on how they see me.
Drag Race' was, like, my outlet and finally being able to see myself in television and that was through Manila Luzon, who was a 'Drag Race' contestant. Manila was the first Asian queer person that I ever saw on mainstream media and 'Drag Race' really did that for me.
I feel like I am just an entertainer. It does not matter what form I take to perform and entertain. I think I deserve being called a performer because you don't call Tyler Perry a drag queen. You don't call Will Smith a drag queen and all the other mainstream artists who use the aesthetic of drag to entertain.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
I think any time we do drag, especially in 2018, it's a political statement. Because we're living in a world where people don't see drag queens as equal. They don't see queer people as equal. They don't see people of any minority as equal.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
I've loved the RuPaul model of drag, where you're an amazing drag queen, you're a smart and savvy business person, and you use those together to keep drag at the forefront of what people are talking about.
I wanted to be a drag queen so badly. I'll bet I still own more wigs than any drag queen - I love me a wig.
A drag queen is one that usually goes to a ball and that's the only time she gets dressed up. Transvestites live in drag. A transsexual spends most of her life in drag.
The truth is I do take drag really seriously, and I think that there's kind of a place for that - to see it as this political and historical art form, and to want to continue pushing it in new directions. And also honor the old directions as well. So I'm sort of like a drag intellectual/drag queen.
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