A Quote by Sasha Velour

There are so many voices that tell people, especially queer people, that they don't have importance and regality. — © Sasha Velour
There are so many voices that tell people, especially queer people, that they don't have importance and regality.
I think that there are all these amazing figures in our history - the Bowies, the Tina Turners, the Chers, the people who are, in many ways, genderless or represent 'the other' - and I want pop music, and other queer artists - Kehlani, Perfume Genius - these people are bringing queer narratives into people's minds.
For me, I think it's important to spread Black queer joy and acknowledge Black queer excellence and the achievements that have been made by my people, specifically meaning Black queer people.
People often ask me why I choose to primarily play queer characters, and my answer is that as a queer man, I choose to align myself with projects in which I can be of service for a purpose greater than myself: to be for an audience of queer people of color, something I didn't have the privilege of seeing as a young man.
So many queer people come out constantly for the rest of their lives, ya know? To the people they work with, to people in taxi cabs. Whatever it is, it isn't the one day.
Everyone who passes through 'Drag Race,' and especially the people who are able to have really big careers after the show, has a responsibility to the queer community to do a good job of representing queer people across the board to be kind and loving.
It's important to tell queer stories and to show queer relationships in a very normal setting.
Queer is invincible because people have tried everything - haven't they? What haven't they tried to do to queer people? And horrible things happened. But you never stop, because it's the truth of who you are.
After the 'Fallon' set, I had a lot of queer people message me about how much it meant to see a queer perspective on late night TV.
The gay community has had a sometimes tumultuous relationship with non-queer people coming to their shows because it was tourism, like using the queer spaces as a form of comic relief or entertainment.
A lot of different people under the queer umbrella come together but Like there's something inherently queer about the heist genre, in some way. It's about just flying under the radar and procuring something furtively or, you know, that thing that is just so fun and high-stakes in the way that a lot of queer experiences are.
The radical power of 'queer' always came from its inclusivity. But that inclusivity offers a false promise of equality that does not translate to the lived reality of most queer people.
Historically, our culture has not made room for the nuances of humanity. People have not been kept safe: women, people of colour, queer people, transgender people.
People ask me what men can do, and I tell them, even if you're not a perpetrator, you should believe women - or queer folks - when they say that they have been violated.
I think I first learned about Stonewall in Queer Theatre class at the University of Pittsburgh. It made me mad that queer people out at bars could be raided and arrested and harassed by the police just for being who they were.
In my run-ins with Christians... I find that they really are good moral people. And we overlap on everything, and they don't seem to be the kind of people that are waiting to hear voices to tell them what to do.
I had to sign the paper to shut down the government. It's terrible.... [But] what the shutdown showed many, many people is the importance of the role of government. And as frustrated [as people get with] Washington, there are so many things [the government does] that are so important to people's lives every day. The panda cam, paying small businesses their loans - these are all things that shut down.
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