A Quote by Sasha Velour

We need to talk about representation for queer people in the media and also in law. And there's a long history of drag queens leading those discussions in marches on the street and even in bars going back to the time of Stonewall and before.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
I think I first learned about Stonewall in Queer Theatre class at the University of Pittsburgh. It made me mad that queer people out at bars could be raided and arrested and harassed by the police just for being who they were.
I hope people realize that drag queens and queer people, we're not just archetypes and stereotypes. We're human beings with a lot to share. And a drag queen doesn't have to just be a clown, she can also be like a cooking TV personality or like a DJ, or a talk-show host. We should be able to infiltrate TV everywhere.
Drag has come a long way and people are respecting it, and giving drag queens and other people who defy gender norms more chances than they've ever been given before, but it's thanks to people like RuPaul, especially, who set that momentum going.
I think that's what happens when drag starts to go mainstream: All of a sudden, you're watching 'The View' and there are three drag queens on there and it's not a joke. Yes, we're here, we're queer and you better deal with it. 'Cause we ain't going nowhere.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
I think any time we do drag, especially in 2018, it's a political statement. Because we're living in a world where people don't see drag queens as equal. They don't see queer people as equal. They don't see people of any minority as equal.
There's an old guard of drag, like the queens who got as big as they could possibly get before there was a TV show dedicated to drag queens.
Those of Manhattan are the brokers on Wall Street and they talk of people who went to the same colleges; those from Queens are margin clerks in the back offices and they speak of friends who live in the same neighborhood.
I want to see some queer politicians, some drag queens and drag kings running for office and shifting the way that policy is made as well.
Drag is pastiche and parody and satire. Drag queens are never meant to be stars. We make fun of stars. Drag queens are the people that 'point' at the star.
When I was on 'Drag Race,' it felt like a serious competition going on between drag queens... and then Katya and I were also there.
As much as I think that in the future we won't need labels, at the moment they're really important. So I'm making myself embrace that. I truly am proud to be queer. Even watching 'Queer Eye' is something that inspired me to say that. So that's the power of representation.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
The problem with representation in the media has very much to do with the conflicts between groups in the world. If you talk about Iraq, al Qaeda, Darfur, even Taiwan, representation is a part of that problem.
We still have a long way to go in such a misogynistic industry. But the discussions that we are having on social media and in politics, about the equal representation of women, which wasn't happening when I started out, is definitely changing things.
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