A Quote by Sasha Velour

There are no limits to what kind of bodies, which types of people, which genders, or what races can do amazing drag, and I think the audience is clamoring fighting with each other more and more to see drag represented as fully as it possibly can be.
I hope that people look at Brooklyn as kind of a drag utopia, because that's what it's been in my experience - all genders and bodies and ages doing drag.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
I've loved the RuPaul model of drag, where you're an amazing drag queen, you're a smart and savvy business person, and you use those together to keep drag at the forefront of what people are talking about.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
Just in my experience as a drag queen, I've been able to connect with queer people around the world - and to see them connecting with each other over a shared love of drag!
The truth is I do take drag really seriously, and I think that there's kind of a place for that - to see it as this political and historical art form, and to want to continue pushing it in new directions. And also honor the old directions as well. So I'm sort of like a drag intellectual/drag queen.
Drag can make you a little more fearless and I think girls especially love drag because they get to see somebody define their own standard of feminine beauty.
There are some amazing people around who can tell stories about drag from the '60s and in New York, like the amazing club kid drag. About drag from around the world. So people should be asking questions and listening to stories.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
A lot of people still have the idea that drag goes from one end of the gender spectrum to the other end of the gender spectrum, and they expect drag queens to be masculine out of drag and hyper-feminine in drag. I think that portrays a lot of binary thinking and, ultimately, a lot of misogyny.
We have such an amazing drag community, and I don't think people fully realize it about Seattle.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
Drag has come a long way and people are respecting it, and giving drag queens and other people who defy gender norms more chances than they've ever been given before, but it's thanks to people like RuPaul, especially, who set that momentum going.
The average person assumes that you're a drag queen so you're a nelly and you want to be a girl, which is not the case, and I think Drag Race has changed that for us.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
Out of drag, I'm a white guy with a guitar, which isn't special. There are a million white guys with guitars. But being a drag queen with a guitar is a lot more commanding.
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