A Quote by Sasha Velour
I've always wanted to play a role as a producer and a curator and to help make drag really have an epic scale and a large audience and a lot of interest.
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It's hard when you play something that people are like, 'Wow that's really cool - you just did something really epic,' because you're not always going to be playing epic characters in a role.
That's really important in a producer - a producer that can step up and play a keyboard, play a bass, play a guitar, and help you with things instead of just saying, 'I think this could be better.'
Because I was happy in my space, I was doing commercials, masala films, love stories... But somewhere as an actor I wanted to push myself to reach a large audience and play a different role.
To make three films out of one shortish book, they have to turn it into an epic, just as 'Lord of the Rings' is an epic. But 'The Hobbit' isn't an epic: its tone is intimate and personal, and although it's full of adventures and excitement, they're on a different scale to those of the bigger book.
I want to follow in RuPaul's footsteps, which is that combination of not just personal stardom but to really transform myself into a producer of drag. That's the way to make a lasting impact on the world of drag and... to make actual differences in the queer community. I think there's no better model for that than RuPaul.
It's great to be able to play the bad guy role because you always get a lot to do, but I'm always looking at the why. How does a person get to that particular point? It's those little cogs in the wheel that make it interesting for me to play. Ultimately, I hope for the audience to be engaged with it because it is going to take a turn.
After 'Rings,' I had two feelings: One, I immediately didn't want to work on anything on a large scale. I wanted to work on something really small after I was finished filming the first three. But the other thing was that I had a continuing interest in working on things that were really different.
In the Broadway world, I've always wanted to play Valjean in 'Les Mis', since I've already played Gavroche. I'd also like to play the Phantom of the Opera, but I haven't really thought about any film characters. You've got to have a whole lot of training for the Phantom role, vocally.
I think from the age of thirteen, I really wanted to be a producer and I've always thought that the producer was the top of the tree.
I wanted to write a big novel, something epic in scale.
I think everybody's goal was to make something that was really broad for a big audience, which was my goal too. But my main goal was that I wanted my audience to love it, because they're the ones who are going to buy it, and they're the ones who are going to tell their friends. And I wanted to make sure that core audience was really happy, because if they all buy it we have a successful movie.
I get to work a lot of times in nightclubs and large theaters, so I wanted to make music that is fun to perform in those settings. But I also wanted to contrast it with really serious, sincere ballads.
I have always wanted to make a movie, in fact I always wanted to direct someday. But I never thought I would be a producer.
There's always going to be a lot of distractions in the NFL - that's just how it is; it's on the biggest stage - but really focusing on what I have to do now to help my team win, help me be at my best physically when I'm out there on the field and mentally, because that will ultimately help my team no matter what role I'm playing.
I was never on a mission to be an NFL quarterback. I wanted to be a good high school player, and I worked hard at that. That made me good enough to play in college and then I wanted to be a good college quarterback. During college I played well enough to make it into the NFL. I never took it for granted and really wanted to play hard at each level and I have always had a lot of fun doing what I wanted to do.
My long-term goal is to play a drag role or a female role in a Broadway production.
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