A Quote by Sasha Velour

When I started doing drag, I always put together multimedia elements for live performance. — © Sasha Velour
When I started doing drag, I always put together multimedia elements for live performance.
No matter what you're doing, whether it's a makeup tutorial or an interview or a lip sync, performance is the essence of drag. It is gender performance. Being able to produce a performance is what a superstar has to do.
The way I've always looked at drag has been a little bit different maybe than other people because the drag community that I started doing drag in is full of trans people and women and people of various educational backgrounds, of different ages.
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
When I was a kid I started a baseball team. I was a terrible player, but I put together a group of neighborhood kids. I started a hockey team. I put the kids together and got a sponsor. So I can always kind of organize people and get things done.
For me to put a look together, if it's going to be a boy look or a girl look or whatever, is quite a tricky thing to do. I'm not doing drag because drag is seen in a certain way and my comedy has got zero to do with what I'm wearing. I could wear an elephant suit and say the same thing.
I consider myself an artist, but instead of paint or clay, my medium is drag. I put so much of myself into my drag from every detail of the costume, makeup and hair to my performance, the way I speak or even stand.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
From the second there was drag, trans people were doing it. And when cis women started being allowed in theaters, then cis women doing drag was part of theater.
When I started in 'Drag Race,' I didn't know anything about drag - my makeup was a mess, my hair was a mess, but I love what I was doing.
I actually started off - believe it or not - doing drag. I travelled the world because I was a completely off-the-wall drag artist.
I think I started doing more of the video probably in college. My major was multimedia, so it was probably closer to then because that wasn't really readily available and easy to do.
I was doing drag as just a hobby on the weekends to let my hair down. I never thought of drag was going to be my career and what I would be doing for the rest of my life. Once I made it onto 'Drag Race,' I'm like, 'Oh, OK - this is my calling.
I always did what I thought was interesting. I always just did what caught my fantasy. Looking like a woman, that was never the criteria for me. It was always to do drag. And drag is not gender-specific. Drag is just drag. It's exaggeration.
For years, 'Drag Race' was gay people's best kept secret. When I started doing drag, people didn't know anything about it. Look at it now: it's like it's gone from black and white to IMAX.
I started drag in Portland, Oregon, but I don't feel that I came to life as a drag queen until I started working in Seattle. That's what really lit the rocket fuel in my career.
Drue [Langlois] and I started making music together before we started the Art Lodge, so I guess musical collaboration came first. The music we made, and our performances, always had a visual component. I could never play an instrument, so these other elements compensated for that a little.
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