A Quote by Saswata Chatterjee

In 'Black Coffee' I am not the celluloid avatar of 'Meghe Dhaka Tara' director any more. How can you portray similar characters in two films? — © Saswata Chatterjee
In 'Black Coffee' I am not the celluloid avatar of 'Meghe Dhaka Tara' director any more. How can you portray similar characters in two films?
It's true I was approached for 'Heroine' but I couldn't do the film as the dates were clashing with Kamaleswar Mukherjee's film 'Meghe Dhaka Tara' based on the life of Ritwik Ghatak, where I played the lead.
Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
Otherwise [digital revolution] hasn't changed my way of filmmaking, I'm not nostalgic in postulating we should still make films on celluloid. I love celluloid but I don't need to continue on celluloid.
From my side, I don't put pressure on the director to cater to a certain image. I am happy to do different films, and I have to stick by my director. I like to completely surrender myself to the director - that way, I think, I don't get to do the similar roles.
In writing the new films, I’ve come to realize that AVATAR’s world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
Black coffee must be strong and very hot; if strong coffee does not agree with you, do not drink black coffee. And if you do not drink black coffee, do not drink any coffee at all.
The characters I portray are an extension of what I've seen, heard, or read, and so what you see in my films are how I understand life.
For whatever reason, gay characters, or characters that deal with sexuality issues, who are black, in 'black films'... are typically not dealt with with any sort of complexity. They're exoticized: their being gay is sort of the point.
Frankly speaking, I hate comparisons. Two individuals are doing two different films, playing two different characters: how can you compare them? It is not fair to get into ratings. It really doesn't matter what I think about other actresses; what matters is what the directors think of them when they are casting them in a project, because I think it's the director who's behind a successful piece of cinema.
I’d designed my avatar’s face and body to look, more or less, like my own. My avatar had a slightly smaller nose than me, and he was taller. And thinner. And more muscular. And he didn’t have any teenage acne. But aside from these minor details, we looked more or less identical.
Comedy films never die, all they need is a good script instead of merely relying on humour. That said, I would love to portray more characters like the one I play in 'Perariyathavar.'
This is a career about images. It's celluloid; they last for ever. I'm a black woman from America. My people were slaves in America, and even though we're free on paper and in law, I'm not going to allow you to enslave me on film, in celluloid, for all to see.
I am not that kind of a director who makes two films per year.
When you watch films, there are so many different types of characters you want to portray.
'Avatar' was gorgeous. There are good stories in there, but when used in other movies they're similar to those violent video games. Characters using deadly weapons. The children follow these movies.
Films with predominantly white casts can come in any form, tell any story, big or small. For black films, you have the light, fluffy rom-coms or 'Madea' movies, and then you have the black-torture awards movie.
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