A Quote by Saswata Chatterjee

I have learnt over the years to know which camera angle makes me look better. — © Saswata Chatterjee
I have learnt over the years to know which camera angle makes me look better.
It's the angle that shows how we see differently. I have always believed that all documentaries are fictional. It's really the angle of the camera, the owner of the perception, that makes the story what it is. The video camera is a fiction.
If you watch fights cage-side, sometimes different punches look better than others. It's like camera angles. Sometimes some punches look a lot better than they were, and sometimes a solid punch doesn't look good. So it just depends on your angle.
The only thing that makes sense to me that I've learnt over the years is knocking tunes together.
I have learnt so much over my 40 years of business which would have been valuable to me when I was younger.
It's not just about looking shocked if the scene demands it. It's about feeling that emotion. You can't lie to the camera, because it captures everything. This is what I have learnt over the years.
I've learnt and I just want to be respected for what I've achieved on the pitch. I know I haven't achieved much off it but I do know I've given pleasure to people watching me play football over the years.
A good trick I learnt early on is not to immediately look at playback because once you know the shot, you can see when the camera is on you. It's best to stay 'in it' all the time, and just if it's on you, it's on you, and if it's not, it's not. It's the easiest way.
When you make a decision, you don't have to be locked into it. One of the ways that you grow is by starting over. There are all kinds of really powerful things in that moment, which is what makes story work. Part of Laurie's Keller personality is this ability to revise, to come back and to look at things from a different angle. I don't want to tell stories too much out of school, but Laurie Keller is the only person who sent me a card on my birthday and then sent me a revision.
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
You don't know me at all. You don't know the first thing about me. You don't know where I'm writing this from. You don't know what I look like. You have no power over me. What do you think I look like? Skinny? Freckles? Wire-rimmed glasses over brown eyes? No, I don't think so. Better look again. Deeper. It's like a kaleidoscope, isn't it? One minute I'm short, the next minute tall, one minute I'm geeky, one minute studly, my shape constantly changes, and the only thing that stays constant is my brown eyes. Watching you.
Focusing on the way I look makes me uncomfortable. I try to focus on the way I feel - I know what makes me feel better about myself. Reading my child a story makes me feel great, doing my hair nicely doesn't.
I got a unicorn horn on my head once. I said, "Can you really see that on camera?" My producer said, "You can see it from space." I would have to angle my head a certain way so that I didn't look misshapen on camera.
You've gotta understand camera angles, camera movement - a kick that may not be very powerful may look very powerful from a certain angle.
I love riding on a bus now because you're looking down on the world from not too high of an angle, but people on the street rarely look up into the bus. They're sort of oblivious to this big giant machine, you know, passing by. So there's something very beautiful about the angle that you look at the world through.
I think we've shot scenes from every angle directors can think of to make it look like different villages. I've directed a couple shows on that set and believe me, it's impossible not to duplicate some camera angles.
I know it's not particularly tech-savvy of me to suggest a camera that doesn't have a touchscreen, but I think when it comes to candid shots of nights out with friends, there's nothing better than a disposable camera.
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