A Quote by Saswata Chatterjee

I give nod to roles only when it excites me. — © Saswata Chatterjee
I give nod to roles only when it excites me.

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Happiness lies only in that which excites, and the only thing that excites is crime.
What excites me? Had you asked me that question a few years ago, the answer would’ve rolled right off my tongue. Today, I think it's moving and uplifting my audience. Having them get it and go with it. That excites me.
I give preference to scripts and of course, the importance of my role in the storyline. Still I am not after hero roles. I take such roles only when I find the scripts exciting.
I'm not going to go to a producer that's going to take me in a studio and charge me my whole budget and give me a fake head nod. I'm just trying to make good music. I appreciate everybody that's supporting me.
Watching a really good movie excites me, because it makes we want to get up off the couch and go shoot something and act in a scene. And music excites me because it puts me in a mind state, whatever that may be.
People often ask me why I don't take up more heroine-oriented roles. My question is, 'Where are these roles?' I really appreciate actresses who sign only films with meaty roles. However, there aren't too many of them. The industry is simply male-dominated.
'True Blood' excites me. It scares me, but it excites me.
If we can give up attachment to our roles as helpers, then maybe our clients can give up attachment to their roles as patients and we can meet as fellow souls on this incredible journey. We can fulfill the duties of our roles without being trapped by over-identifica tion with them.
When audience expect only humorous roles from me, my roles will become cliche and predictable.
I love the whole kind of notion of transformation for me is (what) excites me about not only acting, but storytelling. I love, I love that notion of a slightly larger-than-life artistic truth, you know, magnifying real emotional truth (or) finding something about human condition (which), you wouldn't necessarily think you can learn from characters such as Kong or Gollum, but actually they are, you know, these huge amplifications of a human psyche and I suppose those kind of roles have always attracted me definitely.
I can do a film only if it excites me as an actor.
He stares at me so darkly, so hungily that I can only nod. Agree. Of course, I feel it. "I do", I admit.
As I got older, I never considered that tons of people were watching me on television every week. I give a nod to my parents for keeping me as normal as I could be in an un-normal adult world.
He gave a small nod, and I smiled back, and that was it. He understood that I'd understood that he'd understood. It took us one sentence, two looks, and a nod - with another woman it would have been at least five minutes of out-loud talking. Lucky for me I spoke fluent guy.
The humble, simple souls, who are little enough to see the bigness of God in the littleness of a Babe, are therefore the only ones who will ever understand the reason of His visitation. He came to this poor earth of ours to carry on an exchange; to say to us, as only the Good God could say: 'you give me your humanity, and I will give you my Divinity; you give me your time, and I will give you My eternity; you give me your broken heart, and I will give you Love; you give me your nothingness, and I will give you My all.
We're in crisis mode as black actresses. It's not only in the sheer number of roles that are offered and that are out there, but the quality of the roles. The quality - and therein lies the problem. We're in deprivation mode because me, Alfre and Phylicia, we're in the same category. Whereas if you take a Caucasian actress, you have the one who are the teens, in their 20s, 30s, 40s, 50s - they're all different. There are roles for each of them. But you only have two or three categories for black actresses.
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