A Quote by Saswata Chatterjee

The day Bengali cinema lost touch with literature and started aping the south, the middle class audience stopped going to the cinema halls and later the larger audience too stopped going.
My sense of cinema improved slowly as I started watching South cinema, got to know that cinema is much appreciated here.
There are quality films being made in all languages, whether in Hindi cinema, Bengali or the south. Bollywood doesn't represent Indian cinema, per say.
I had seen 'Do the Right Thing' when I was at college, and it was incredibly inspiring as a piece of cinema. Just brilliant, I thought. But saw 'Malcolm X' with a crowded audience. It was my first time in an American cinema, hearing an audience respond. You know, in England, everyone is so restrained.
Cinema might have it's share of ups and downs, it can't go. It is a very major part of everybody's life. It is a process like going to cinema halls, watching films on the big screen.
Some felt my looks would not go down with the Bengali audience. They felt I was not photogenic. Others felt I was just what Bengali cinema needed when there was lack of glamour for heroine roles and there were few leading ladies around.
Although it is a fantasy film, it's as real as it can be. You have to imagine that an audience will buy their ticket to a cinema and get on a first-class flight and journey to Middle Earth.
I want to make a film that is commercially successful because that means that the larger cinema-going audience around the world like the movie, which is my goal. That's my job, to make films that people respond to.
When I stopped touring in the early '80s for a few years, it was a mistake looking back. I lost touch with my audience in a way and I think that was a bad career move.
To me, cinema is cinema. Cinema is one big tree with many branches. The same as literature. In literature, you don't just say, 'Oh, I bought some literature.' No, you say, 'I bought a novel' by so-and-so, or a book of essays by so-and-so.
I decided that I have certain taste in cinema and I will take it forward. I know there is an audience for such cinema.
No one can insist me to wear skimpy costumes and to act in steamy scenes just for the sake of pulling more audience to cinema halls.
I come from an everyday middle class family in India. The film industry reached us only through our television sets and cinema halls.
Cinematically, anything like 'Khawto' in Bengali cinema hasn't happened. Yes, you get such films in Hollywood, a few in Bombay. In Bengali literature, you get such stories in the works of Samaresh Basu and Buddhadeb Guha.
You carry that through and adapt it to a camera lens, but you're quite right, you cannot be sure of what an audience is going to do. You don't know what's going to happen to the piece you're doing anyway. You don't know how it's going to be edited. There are a lot more unknowns in cinema. But that you have to readily accept. That's when, I think, you have to forget about intellect, to a degree. Intuition is very important when you're working with a lens, I believe, for what the lens is doing, too.
Being a Bengali, I have kept in touch with the cinema of my mother tongue.
I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle, or they just couldn't do it. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. But they lost those crucial years of learning to turn any audience into your audience.
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