A Quote by Saswata Chatterjee

Once I went to watch 'Hatari' with my Mama and there was a rhino attack scene where I cried so much that they had to take me back home at interval. — © Saswata Chatterjee
Once I went to watch 'Hatari' with my Mama and there was a rhino attack scene where I cried so much that they had to take me back home at interval.
River gonna take me, Sing me sweet and sleepy, Sing me sweet and sleepy all the way back home, It's a far gone lullaby sung many years ago Mama, Mama, many worlds I've come since I first left home
Grandma told me Mama was once caught by the Principal for writing in the front of her book, "In Case of Fire, Throw This in First." I have never had so much respect for Mama as the day I heard this.
Mama, Mama, help me get home I'm out in the woods, I am out on my own. I found me a werewolf, a nasty old mutt It showed me its teeth and went straight for my gut. Mama, Mama, help me get home I'm out in the woods, I am out on my own. I was stopped by a vampire, a rotting old wreck It showed me its teeth and went straight for my neck. Mama, Mama, put me to bed I won't make it home, I'm already half-dead. I met an Invalid, and fell for his art He showed me his smile, and went straight for my heart. -From "A Child's Walk Home," Nursery Rhymes and Folk Tales
Teachers have had a great effect on me as a child. I've always loved school and had a great appetite for learning. I cried when it was time to go back home and tried to jump from my mother's moving car to run back there.
Was none who would be foremost To lead such dire attack; But those behind cried "Forward!" And those before cried "Back!
One of the things people always say to you if you get upset is, don't take it personally, but listen hard to what's going on and, please, I beg you, take it personally. Understand: every attack on Hillary Clinton for not knowing her place is an attack on you. Underneath almost all those attacks are the words: get back, get back to where you once belonged.
I was in a band in Auckland, and I remember they all hated me. They had a big intervention. They said, basically, 'Gin, we think you suck.' I was miserable. I cried and cried. But looking back, that taught me about social skills and how to communicate with musicians.
An age is the reversal of an age: When strangers murdered Emmet, Fitzgerald, Tone, We lived like men that watch a painted stage. What matter for the scene, the scene once gone: It had not touched our lives.
I had just been promoted to the first rugby team. It was a perfect, wonderful coming of age. My brother was already in the team, and my father had come to watch us. We went home, and my father died in front of me. Horribly, in about half an hour. He had a heart attack.
I had a couple years of depression. I started drinking too much. I had to up my antidepressants. I cried all day, every day, and I lost weight. But I had to take care of two kids. It wasn't about me anymore.
I watched Titanic when I got back home from the hospital, and cried. I knew that my IQ had been damaged.
I had the best teacher in the business. Kevin Costner was my teacher. I was acting opposite him and he was directing me. The way he directed me, for which I am eternally grateful, is he would watch the scene back on the monitor, which is sort of considered unfashionable - you're not meant to watch yourself. But he was like, "Come around. Watch this. See there, you're doing a great reaction, but you're doing it out of frame." That was exactly what I needed. I learned how to act on film from him.
Mama, Mama, put me to bed I won’t make it home, I’m already half-dead I met an Invalid, and fell for his art He showed me his smile, and went straight for my heart.
We children sat transfixed before that moon our mother had called forth from the waters. When the moon had reached its deepest silver, my sister, Savannah, though only three, cried aloud to our mother, to Luke and me, to the river and the moon, "Oh, Mama, do it again!" And I had my earliest memory.
On the day we filmed the scene, a bee stung me. I screamed and cried so much they called a doctor, and my father said, "It can't hurt that badly!" But it wasn't the pain that upset me, it was the thought that I mightn't be in the film. Already the little professional.
I have always been good at auditioning, but maybe because I had a good trick at the beginning. I would pretend that my agent gave me the wrong scene or lines. They would take pity on me and hand me the right scene. I would act like I had never seen this before - and then do pretty well considering I had already rehearsed it.
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