A Quote by Satish Kumar
I want to see a New Story education, which is not only about intellectual knowledge - not only about measurement - not only about academic achievement. It is also about heart, feelings, emotions, relationship, love, compassion, generosity, beauty. All these values are part of the heart.
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One road to happiness is to cultivate curiosity about everything. Not only about people but about subjects, not only about the arts but about history and foreign customs. Not only about countries and cities, but about plants and animals. Not only about lichened rocks and curious markings on the bark of trees, but about stars and atoms. Not only about your friends but about that strange labyrinth we inhabit which we call ourselves. Then, if we do that, we will never suffer a moment's boredom.
How could you feel worthless when God has honoured you by creating you and choosing you to be with Him, in this life and the next? You are worthy. You are worthy of love. You are worthy of respect. You haven't failed. You're beautiful. Only the beautiful can see beauty. Never doubt your beauty. Never doubt your worth. It's not about how much you make, your grades, what people say or think. It's about you and God. It's about your heart. The blinding beauty of your heart.
Your body is not who you are. I don't think women should label themselves based on the way they look. What about defining yourself by a different kind of measurement? What about your heart, your soul, your compassion, your generosity, your strength and your power? There are so many other things to focus on besides your waistline.
For ten years, I wrote regular columns about science for women's magazines, and to my knowledge I'm the only person in the world who can say that. This has no kudos in either the science-writing world or the academic world, but it's one of the most challenging things I've ever done. It's much harder to write about cosmology for a magazine like Vogue than for the New York Times, which I've also written for, because you have to imagine that on the page opposite there'll be an advertisement for eyeliner, or an article about the latest trends in skirt length.
Let's call this then, only half facetiously, a new patristic, in which the intellectual is charged with the task not only to denounce error and unmask illusions, and not only to incarnate the mechanisms of new practices of knowledge, but also, together with others in a process of co-research, to produce a new truth. -- Commonwealth, 118
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
We hear a lot about the notion of objectivity, and I'm not sure I know what that is. I know what fairness is. I know what honesty is. And I know what the heart and emotions are. I think those are the things I particularly want to embrace. I would not want anyone to take away my right and my ability to communicate my feelings about the things that I see.
We love to think this fundamentalism and terrorism is all about poverty, and, of course, it has a connection. You can see that these people not only are poor but they have no outlets. These governments allow no opposition. So what do people do? They go to Islam. It's the only organizational institution where they can express their feelings. But it's not about poverty. I've never seen a single demonstration in which the people have come out with signs saying, "Please give us better roads. Please give us new prenatal clinics. Please give us a new sewage system."
You see, religion alone can only take a person so far. Religion can make us nice, but only Christ can make us new. Religion focuses on outward behavior. Relationship is an inward transformation. Religion focuses on what I do, while relationship centers on what Jesus did. Religion is about me. Relationship is about Jesus
You can have compassion for someone who is suffering and try to help this person but if your relationship with mankind is only one of compassion, it is only another form of contempt and it prevents feelings like admiration, empathy which to my mind are much more positive.
Every man who has an idol or admires someone can recognise its themes. It's not only a film about the relationship between fans and idols, it's also a love story, a story of a man who is depressed, who has problems in his relationship with his teenage step-children.
With 'Durable Goods,' I meant only to write about being an army brat. What emerged was a story about compassion - the need for it, the expression of it.
I think that the lack of intuition in fashion today is one of the most dangerous things. My fear is that our business is turning into a bag business, and it's all about the bag. But it's not only about the bag. It's about the women. And it's not about a bag or a shoe or the jewelry. It's only about women. . . . Being almost politically correct and doing only what you expect without the ability to make mistakes is very dangerous to fashion. We have to go with our heart. We have to go with our intuition.
I do not love you except because I love you; I go from loving to not loving you, From waiting to not waiting for you My heart moves from cold to fire. I love you only because it's you the one I love; I hate you deeply, and hating you Bend to you, and the measure of my changing love for you Is that I do not see you but love you blindly. Maybe January light will consume My heart with its cruel Ray, stealing my key to true calm. In this part of the story I am the one who Dies, the only one, and I will die of love because I love you, Because I love you, Love, in fire and blood.
The way to start writing isn't by writing at all. But by living. It isn't about creating something from thin air, but about documenting our personal feelings about the things that we see. Or to put it crudely, how are you going to be a storyteller if you have no story to tell? Perhaps, in the end, there are no such things as creative people; they are only sharp observers with sensitive hearts.
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