A Quote by Satya Nadella

I went through a phase of reading lots of Urdu poetry, thanks to the great transliterated versions that have become available. — © Satya Nadella
I went through a phase of reading lots of Urdu poetry, thanks to the great transliterated versions that have become available.
I didn't ever consider poetry the province exclusively of English and American literature and I discovered a great amount in reading Polish poetry and other Eastern European poetry and reading Russian poetry and reading Latin American and Spanish poetry and I've always found models in those other poetries of poets who could help me on my path.
Every year, I hear about Thanksgiving. Who do one give thanks to? ... And who is giving thanks? What are they giving thanks for? For lots of poverty that's on the earth and lots of war that is a-rumoring all over the earth? For lots of people who die daily and the crime that multiply?
I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.
We can create the sensation of community through the accrual of actions, and that's often the clichéd way that storytelling is talked about, as someone taking a solo, and that's great for lots of reasons. But I don't really like to feel like I'm forced to listen to it in a certain way, or that there is one master reading of performance. I think what we want from performance is multiplicity, which is lots of ways in and through it, because it's for lots of people, and it was created by lots of people, often.
The 19th century was the great period of engineering, thanks to the railways, thanks to lots of discoveries in metallurgy.
I did go through a phase of reading a lot of poetry and getting heavily into philosophy and ended up writing things that weren't really in a musical format, which I put to some very electronic-based backing.
Reading poetry and reading the great works of the canon that we were reading in the '60s and the '70s and '80s was mind altering.
At Pixar, we do a million versions of the movie, and every one of them goes through their awkward teenage phase where it's terrible and doesn't make sense, and we just keep working on it.
I think readers are always patient. Look at the 'Harry Potter' series. Some have given up on this generation of kids as game and TV addicts, but lots of people spend lots of time patiently reading through hundreds of pages of dense prose. I think reading a comic by comparison is a lot more immediate.
Based on assessment of all available information and following several expert consultations, I have decided to raise the current level of influenza pandemic alert from phase 4 to phase 5.
Now, I do say, "It's possible. You might be the first. I'm not saying it's impossible, but the odds are very much against you." All great poets have been great readers and the way to learn your craft in poetry is by reading other poetry and by letting it guide you.
I read a great deal as a child. A lot of children go through a phase of reading in a literally voracious way. It is their primary imaginative activity. Maybe that's an experience which is not so common any more with the presence of television in every home.
I can't understand Urdu, Bahasa or Russian, but when the Pakistani Faiz, the Indonesian Rendra and the Russian Rosdentvensky declaim, I can feel the living throb of rhythm and music, the warmth and passion of their poetry, as do the hundreds, not a mere roomful, of poetry lovers in the audience.
When I write a poem, I do not have to worry about using a higher Urdu vocabulary because I know the reader knows Urdu well.
When you find it you become the secret addressee of a literary text and I felt that their reader had been left out of this experience of reading poetry or what the experience of poetry was.
Nobody knows that in reading we are re-living our temptations to be a poet. All readers who have a certain passion for reading, nurture and repress, through reading, the desire to become a writer.
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