A Quote by Satyadev Kancharana

The story, not the money, excites me. — © Satyadev Kancharana
The story, not the money, excites me.
What excites me and what I find most compelling is clearly not what excites other artists. It comes from my own idiosyncratic background and what I'm drawn to. Maybe this is a result of having lived in Naples during a formative period of time. I'm interested in telling a unique story in a very intense way.
Does making money excite me? No, but I have to make money for my shareholders. What excites me is achievement, doing something difficult.
Music has always been my back door to life. It is important for people to find something that excites them. I like the concept that if you do what excites you, you will be rewarded generously, whatever form reward takes, which is not necessarily money.
What excites me, what attracts me, what gets me up in the morning is telling the next story and getting it out in front of readers and hoping they'll love it too.
What excites me? Had you asked me that question a few years ago, the answer would’ve rolled right off my tongue. Today, I think it's moving and uplifting my audience. Having them get it and go with it. That excites me.
Watching a really good movie excites me, because it makes we want to get up off the couch and go shoot something and act in a scene. And music excites me because it puts me in a mind state, whatever that may be.
'True Blood' excites me. It scares me, but it excites me.
What excites me about picture books is the gap between pictures and words. Sometimes the pictures can tell a slightly different story or tell more about the story, about how someone is thinking or feeling.
For my money, Tony Bennett is the best singer in the business. He excites me when I watch him. He moves me. He's the singer who gets across what the composer has in mind, and probably a little more.
I marvel at the many ways we, as black people, bend but do not break in order to survive. This astonishes me, and what excites me I write about. Everyone of us is a wonder. Everyone of us has a story.
I am a filmmaker. My job is to make films. When something excites you - a story or characterisation - you immediately forget about everything else. You only think how to make a movie out of it. The economics come only later. You shouldn't let money dictate the kind of films you should make.
Dean [Devlin, Emmerich's partner on "Independence Day"] and I always said that we'd only do it when we had a really good story that excites us both, and we have the story written. And we've had it for a year and a half, two years. So we've been ready.
When I hear people watched my film and then got on their own bikes and rode, whether a few miles or across America, to achieve their own goals - that excites me. It's the power of a story.
For after all, what is there behind, except money? Money for the right kind of education, money for influential friends, money for leisure and peace of mind, money for trips to Italy. Money writes books, money sells them. Give me not righteousness, O lord, give me money, only money.
The only thing worth thinking about, when I write a story, is whether I like it, whether I want to write it, whether it excites me.
To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money. Money, money everywhere and still not enough! And then no money, or a little money, or less money, or more money but money always money. and if you have money, or you don't have money, it is the money that counts, and money makes money, but what makes money make money?
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