A Quote by Saul Alinsky
The second rule is: Never go outside the experience of your people. When an action is outside the experience of the people, the result is confusion, fear, and retreat.
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The goal of serious musicians is to play outside of yourself. That's most likely with people who suggest things that are outside your musical experience.
I'm such an action movie junkie that as an action fan, because action scenes are so heightened, we could never really picture ourselves in that scene. So when you're watching an action movie, you experience an action movie more outside of the aquarium: you know you're out of the aquarium looking in at all the swimming fish that are in there.
What's holding us back from being free is fear. Whether it be fear of those on the outside who don't understand queer people or any other minority, or the actual minorities themselves being scared. The lack of freedom we experience is all tied to fear.
The Device experience was amazing. I enjoyed working with everyone that I was blessed with the opportunity to work with, and you learn so much going outside of your normal world and outside your box, so to speak.
What I had been taught all my life was not true: experience is not the best teacher! Some people learn and grow as a result of their experience; some people don't. Everybody has some kind of experience. It's what you do with that experience that matters.
One of the fun things about being an actor is stepping outside yourself and outside of your own experience. It's challenging yourself to totally commit to something that in your core is so wrong.
Reading opens your mind and helps you understand and empathize with people who are unlike you and outside your breadth of experience.
So there was something of a learning curve with doing your own thing and people seeing you outside of the band. I mean, people have never really heard my voice before - or heard a whole record of mine before. So it was a completely new experience.
I find, even though it's raining, I just go outside. I look outside and I'm just so blessed to see it and to experience it, because for such a long time I was just indoors.
Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens.
The experience of emptiness is not found outside the world of ordinary appearance, as many people mistakenly assume. In truth, we experience emptiness when the mind is free of grasping at appearance.
You can't teach anyone. You can't tell anyone. That's the thing you have to sit down and experience in order for it to mean anything. You can't intellectualize it. It's like why movies are cool. It's a combination of pictures and design and acting and music can create an experience that is outside of the experience that you can actually have in reality, which gets to my motion picture philosophy. People are like, 'aren't you trying to make the movies as real as you can?'
The best part of a goalkeeper is that when you are the second choice you get to gain a lot of experience by sitting outside and watching.
Certainly Christianity is an experience, but equally clearly the validity of ane experience has to be tested. There are people in lunatic asylums who have the experience of being the Emperor Napoleon or a poached egg. It is unquestionably an experience, and to them a real experience, but for all that it has no kind of universal validity. It is necessary to go far beyond simply saying that something comes from experience. Before any such thing can be evaluated at all, the source and character of the experience must clearly be investigated.
This question of love begins and ends with the willingness to be welcoming to one's own experience as a loving action towards oneself. It may be dark, it may be light, it may be joyous, it may be sorrowful, but it's your experience, and therefore, your life. As we have that kind of loving response towards our own life, then life itself in terms of the outside world, begins to feel different.
Creative people often feel highs of joy and lows of sorrow that others may never experience, and perhaps could not even handle if they did. Little wonder many outside the creative world mistake (or dismiss) eccentric responses of the spirit as weakness or mental illness. But in the end, these dismissive souls will never know what it is to be moved by tears by the beauty of rose or brought to joy by sunlight filtering through the leaves of spring or autumn. The creative walk in glades invisible to those outside their realms.
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