A Quote by Saul Bass

No artist wants to be perceived as a regurgitator. — © Saul Bass
No artist wants to be perceived as a regurgitator.

Quote Topics

If God had perceived that our greatest need was economic, he would have sent an economist. If he had perceived that our greatest need was entertainment, he would have sent us a comedian or an artist. If God had perceived that our greatest need was political stability, he would have sent us a politician. If he had perceived that our greatest need was health, he would have sent us a doctor. But he perceived that our greatest need involved our sin, our alienation from him, our profound rebellion, our death; and he sent us a Savior.
I like to believe a true fan of music or an artist has a genuine respect for what the artist does and has a distinct understanding of their actions. In that buying an album they are helping the artist to continue making music. It's hard because everyone wants something to be free.
I think any artist wants their artist to be seen and appreciated and enjoyed by as many people as possible.
In my experience, what every true artist wants, really wants, is to be paid.
Beauty lies in nature and reveals, once the artist has perceived it, its own expressive power.
I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
The damnable thing about bad art is that the insincerity which lies at its roots is not perceived by the artist himself.
Everybody wants freedom. You don't want to be shackled, especially as an artist. Nobody wants to be shackled, at the end of the day.
Art should be perceived as subjectively as possible, and if anyone wants to see something in 'Belus' that I had not planned, that is fine.
...it's almost natural because when you're an artist you know what you want. And then if you're able to mentally turn that into being a CEO, now you know what the artist wants. That's kinda how I did it.
I think a 23-page ordinary comic is an investment for the artist, but if you're doing something 60 to 104 pages, that's a really big investment for an artist. So unless you've got someone who wants to pay you while you're doing it or up front, it's kind hard to get someone to do that with you, unless you're the artist yourself.
I learned how difficult it is to be an artist. There are always compromises. The record company wants you to do this, your fans want you to do this, your family, you can't concentrate on your work. It's a hard thing to be an artist and not give up. That's why I have so much respect for people like Dylan and Neil Young and Tom Waits, because they keep at it. I have a new respect for a true artist.
There is nothing harder for an Artist than to retain his Artistic integrity in the tomb of success. A tomb, nevertheless, which nearly every Artist: whether he admits it or not; naturally wants to get into.
That is an artist as I would have an artist be, modest in his needs: he really wants only two things, his bread and his art--panemet Circen.
History is written by the winners. My job as an artist is to speak up for those who might be perceived as the losers. Or those who can't shout.
Everyone wants to be perceived a certain way, to gain the things that they have decided are the things that they want in their life.
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