A Quote by Saul Bellow

But a man's character is his fate... and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles. — © Saul Bellow
But a man's character is his fate... and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.
I am an American, Chicago born – Chicago, that somber city – and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent. But a man's character is his fate, says Heraclitus, and in the end there isn't any way to disguise the nature of the knocks by acoustical work on the door or gloving the knuckles.
Everywhere man blames nature and fate yet his fate is mostly but the echo of his character and passion, his mistakes and his weaknesses.
Everywhere man blames nature and fate, yet his fate is mostly but the echo of his character, and passions, his mistakes, and weaknesses."--Democritus An Abundance of Katherines---John Green
When Arsenal knocks on any door, it's difficult to say no. When it knocks on my door, this is my house and it makes it very difficult.
Freedom is what we all seek, but it's what we do with that freedom that ultimately defines our character. In the end, a man's character cements his fate, good or bad.
Any man who knocks on the door of a brothel is looking for God.
It seems at times fate knocks on people's door, and they are too afraid to pursue it.
Even when opportunity knocks, a man still has to get up off his seat and open the door.
A guy's who has all the money he needs and never faced any hard times, he won't have any character. But when you've had it tough and you've had it rough and you thought you were at the end of the rope and you work your way out of it, that's the way you build character.
The biographies of great artists make it abundantly clear that the creative urge is often so imperious that it battens on their humanity and yokes everything to the service of the work, even at the cost of health and ordinary human happiness. The unborn work in the psyche of the artist is a force of nature that achieves its end either with tyrannical might or with the subtle cunning of nature herself, quite regardless of the personal fate of the man who is its vehicle.
Opportunity knocks at every man's door once. On some men's door it hammers till it breaks down the door and then it goes in and wakes him up if he's asleep, and ever afterward it works for him as a night watchman.
For every man's nature is concealed with many folds of disguise, and covered as it were with various veils. His brows, his eyes, and very often his countenance, are deceitful, and his speech is most commonly a lie.
Man can have strength of character only as he is capable of controlling his faculties; of choosing a rational end; and, in its pursuit, of holding fast to his integrity against al! the might of external nature.
Jesus Christ said more about money than about any other single thing because, when it comes to a man's real nature, money is of first importance. Money is an exact index to a man's true character. All through Scripture there is an intimate correlation between the development of a man's character and how he handles his money.
Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is nearing his end and his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended for you. I am now going to shut it.
A man's character is his fate.
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