A Quote by Saul Bellow

Death is the black backing on the mirror that allows us to see anything at all. — © Saul Bellow
Death is the black backing on the mirror that allows us to see anything at all.
Death is the dark backing a mirror needs if we are to see anything
The physical body is an agent of the spirit and its mirror. It is an engine and a reflection of the spirit. It is the spirit's ingenious memorandum to itself and the spirit sees itself in my body, just as I see my own face in a looking glass. My nerves reflect this. The earth is literally a mirror of thoughts. Objects themselves are embodied thoughts. Death is the dark backing that a mirror needs if we are to see anything.
Many times I looked in the mirror and didn't see anything. Couldn't see anything. I didn't see anything in the mirror. It was me, but I didn't truly know my soul, my spirit.
Why does death engender fear? Because death meant change, a change greater then we have ever known, and because death was indeed a mirror that made us see ourselves as never before. A mirror that we should cover, as people in olden days covered mirrors when someone died, for fear of an evil. For with all our care and pain for those who had gone, it was ourselves too we felt the agony for. Perhaps ourselves above all.
A mirror reflects what you see, and a black mirror shows the dark side of it.
Death teaches us to live; it gives us a boundary to map our living within. Death's hammer breaks through the mirror separating us from light.
What I say about myself, black footballers or black pop stars is that we have been 'elevated out of blackness.' Because when people see us, they don't see us as being black. These are the issues that we should address.
I would say the thing you can still see in Black Mirror is that I was probably traumatized by the specter of nuclear war. I was born in 1971, and in the '80s I came to understand that I was inevitably going to be frazzled to death in the nuclear apocalypse.
Other people teach us who we are. Their attitudes to us are the mirror in which we learn to see ourselves, but the mirror is distorted. We are, perhaps, rather dimly aware of the immense power of our social enviornment.
I can only see death and more death, till we are black and swollen with death.
My first filming job was one of the first episodes of 'Black Mirror,' before anyone knew what that was going to be. It was this mad project with some great people behind it - and now it's 'Black Mirror!' It was sort of baptism by fire.
I have two brown boys I have to raise and I have to teach them the inequalities that being a black man comes with. That's a tough conversation to have with a young kid who doesn't see anything, who's always sheltered, who can get anything he wants, who's going to go to the best schools but at the same time he's a black boy and his dad is black.
A 'death mirror' held up to American culture - Brando, bikes and black leather; Christ, chains and cocaine. A 'high' view of the myth of the American motorcyclist. The machine as totem from toy to terror. Thanatos in chrome and black leather and bursting jeans.
'Black Mirror,' I read that, and I had another offer for a movie at the same time that was a bigger movie, an actual film as opposed to TV, but I said, 'No, it has to be Black Mirror.' And it hadn't been sold to Netflix, hadn't gone abroad at that point - but it's just good work - that's all there is to it.
To begin depriving death of its greatest advantage over us, let us adopt a way clean contrary to that common one; let us deprive death of its strangeness, let us frequent it, let us get used to it; let us have nothing more often in mind than death... We do not know where death awaits us: so let us wait for it everywhere." "To practice death is to practice freedom. A man who has learned how to die has unlearned how to be a slave.
We see time's furrows on another's brow, And death intrench'd, preparing his assault; How few themselves in that just mirror see!
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