A Quote by Saul Bellow
In Los Angeles all the loose objects in the country were collected, as if America had been tilted and everything that wasn't tightly screwed down had slid into Southern California.
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I'm wary of the whole Los Angeles scene. I'm a California kid, but there's a difference between California and Los Angeles. L.A. is urban. California is restorative.
Los Angeles was a place after my own heart. The people were hospitable. The country had the same attraction for me that it had for the Indians who originally chose this spot as their place to live. The Los Angeles River was a beautiful, limpid little stream, with willows on its banks. It was so attractive to me that it at once became something about which my whole scheme of life was woven, I loved it so much.
If you tilt the whole country sideways, Los Angeles is the place where everything loose will fall.
The police had a practice of entrapping people. This was done all over the country, but we had a particularly vicious group here in Southern California because of the Hollywood situation. They knew they could get a lot of them. They were shaking down people for thousands in blackmail.
Los Angeles is a rich city; California is a rich state; the United States is a rich country. The money is out there, and Los Angeles teachers are demanding that it be spent where it belongs, on our kids.
California always had been a dream to me. I guess growing up in the 70s with movies like Vanishing Point, The Getaway, and Badlands formed the need for me to leave Germany for California. I'd never even visited before I moved there. When I moved to Los Angeles in 1996 right away I felt at home. Everything was in place and the dream was alive.
I had come from Los Angeles - I had been there a partner of Gruen Associates, a large Los Angeles firm - and when the possibility of becoming a dean at Yale came, it was a very appropriate moment in my life. I was interested in a number of issues that I could not pursue while in a firm like Gruen's.
Los Angeles has been great to me, and I have a home there, and I'm so lucky I get to do what I do for a living. But I did not go down to Los Angeles really even with the intention of staying.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I have always identified with Joan Didion's depiction of Los Angeles and Southern California, ever since reading 'Play It As It Lays,' 'Slouching Towards Bethlehem' and 'The White Album.'
I went to Los Angeles and enrolled in a production course at the University of California, Los Angeles. In the morning I attended industry meetings and in the evening, I would go for the course.
We were living in California, and it just wasn't conducive for the lifestyle that we wanted with kids. Los Angeles is tricky to get around, there's paparazzi to deal with, and I had this feeling that I just wanted to move back to Australia.
I love Los Angeles. I love Seattle, too, which is where we have our home. But the notion of spending a lot of time in Los Angeles has been exciting to me for years. The community down there is great.
When 'Real People' aired in 1979, we did OK in Los Angeles and New York. What kept that show from being canceled were the ratings from the middle of the country, and that's what kept us in the top five. I learned then from co-hosting that it was important to focus on the country between Los Angeles and New York.
Tip the world over on its side and everything loose will land in Los Angeles.
I just started writing for my own amusement and occasionally singing in little clubs around Los Angeles. Then I wrote "The Rose," and through a series of divine things that I had no control over and had no idea were going to happen, it got in the movie, and that changed everything.
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