A Quote by Saul Leiter

I admired a tremendous number of photographers, but for some reason I arrived at a point of view of my own. — © Saul Leiter
I admired a tremendous number of photographers, but for some reason I arrived at a point of view of my own.
I admired the work of photographers like Beaton, Penn, and Avedon as much as I respected the grittier photographers such as Robert Frank. But in the same way that I had to find my own way of reportage, I had to find my own form of glamour.
Point of view is not something I consciously decide. Almost always, when I come up with a plot I find that the point of view has automatically arrived with it, part and parcel of the story.
It gives liberty and breadth to thought, to learn to judge our own epoch from the point of view of universal history, history from the point of view of geological periods, geology from the point of view of astronomy.
Photography and photographers have an inevitable development. They progress more or less by steps. Every five or ten years some new point of view is developed and young people are inclined to follow it.
The great thing is the thing of being able to see things through many points of view. That's enlarging. I mean, it saves you from ultimately from the boredom of having one point of view, like being locked in a room with nothing but your own point of view, your own references.
One of my greatest times of inspiration is when I'm traveling or living in a new country - there's a tremendous freedom that comes from being unfettered by your own, familiar culture, and by seeing the world from a different point of view.
The writer needs to react to his or her own internal universe, to his or her own point of view. If he or she doesn't have a personal point of view, it's impossible to be a creator.
I take a biocentric point of view. I look at things from the point of view of the Earth and the laws of ecology. As opposed to the anthropocentric point of view, where everything revolves around humanity.
Everyone has a point of view. Some people call it style, but what we're really talking about is the guts of a photograph. When you trust your point of view, that's when you start taking pictures.
From my point of view, there is a tremendous amount to be said for secular humanism.
From a high-tech point of view, an agriculture point of view, a goods-and-services point of view, a great deal of [committee Democrats] have no choice except to support allowing America access to these markets.
My films are very rooted in specific people's point of view. Some film-makers give a more global point of view, like God looking down at the characters.
The point is not to convert anyone to our view, but rather to help people wake to their own view, their own sanity.
There's no reason why fiscal responsibility is a Democrat or a Republican point of view. It ought to be all of our points of view.
Photographers find themselves directly in competition with mass media's misrepresentations of women. So the photographic terrain is particularly contested from a political point of view.
Well I think I'm of the view that Fox has a monopoly position... I think Fox has tremendous power from that point of view, but there's also the sense of fearing their audience.
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