A Quote by Saul Leiter
I like it when one is not certain what one sees. When we do not know why the photographer has taken a picture and when we do not know why we are looking at it, all of a sudden we discover something that we start seeing. I like this confusion.
Related Quotes
When we do not know why the photographer has taken a picture and when we do not know why we are looking at it, all of a sudden we discover something that we start seeing. I like this confusion.
I always want to read the script and know everything and at least understand the context of the world that you're in and why you're there and all that stuff. It's good to know something. I like to know, but I've never been one of these, 'Just show me my stuff,' no, I like to know what the whole picture is so I can understand how I fit into it.
Why?" she screamed. "Are you crazy? You know the English subjunctive, you understand trigonometry, you can read Marx, and you don't know the answer to something as simple as that? Why do you even have to ask? Why do you have to make a girl SAY something like this? I like you more than I like him, that's all. I wish I had fallen in love with somebody a little more handsome, of course. But I didn't. I fell in love with you!
"You know you are seeing such a photograph if you say to yourself, "I could have taken that picture. I've seen such a scene before, but never like that." It is the kind of photography that relies for its strengths not on special equipment or effects but on the intensity of the photographer's seeing. It is the kind of photography in which the raw materials-light, space, and shape-are arranged in a meaningful and even universal way that gives grace to ordinary objects."
Nine years old, I became the victim of war. I didn't like that picture at all. I felt like, why he took my picture, when I was agony, naked, so ugly? I wished that picture wasn't taken.
We travel because we do not know. We know that we do not know the best before we start. That is why we start. But we forget that we do not know the worst either. That is why we come back.
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
Why do you have to retire at 65? Why can't you start at 70? You know, like wine. Why can't music be that way? My new band, we're playing stuff that's never been done before.
My wife Mariana is a good photographer too and, like me, she just picks up a camera and takes a picture when she sees something, rather than looking too deeply into it.
The photographer, like an acrobat, must defy the laws of probability or even of possibility; at the limit, he must defy those of the interesting: the photograph becomes surprising when we do not know why it has been taken.
I don't know why, it's the same reason why you like some music and you don't like others. There's something about it that you like. Ultimately I don't find it's in my best interests to try and analyze it, since it's fundamentally emotional.
So we know she's safe and taken care of?" Daniel asked, and she nodded. "Good. Then why don't we do something that you want to do?" "Like what?" "I don't know. What do you like to do?" "Um...." Her stomach rumbled, since crying always made her hungry. "I like eating breakfast." "That's so weird." Daniel grinned. "Because I like making French toast." "That works out, doesn't it?
I guess there's something about you don't know why you're attracted to a character, but you're attracted to them enough to want to - it's like when a song comes on, and you feel like dancing. You don't know why; you just want to dance. It's hard to analyze that feeling, and if you do, you get far away from it.
I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.
I am pessimistic about a picture's power to be the emissary of just one thing. What I hope is that the picture says, "Here I am, this is what I am like," and the person seeing the picture says in return, 'You know a lot but you don't know half of what I know.'
Some things you just can't question. Like you can't question why two plus two is four. So don't question it, don't try to look it up. I don't know who made it, all I know is it was put in my head that two plus two is four. So certain things happen. Why does it rain? Why am I so sexy? I don't know.
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