A Quote by Saul Leiter

I like the Zen artists: they'd do some work, and then they'd stop for a while. — © Saul Leiter
I like the Zen artists: they'd do some work, and then they'd stop for a while.
I have a deep-seated distrust and even contempt for people who are driven by ambition to conquer the world … those who cannot control themselves and produce vast amounts of crap that no one cares about. I find it unattractive. I like the Zen artists: they’d do some work, and then they’d stop for a while.
What I term Zen, old Zen, the original face of Zen, new Zen, pure Zen, or Tantric Zen is - Zen in its essence.
There's something Zen-like about the way I work - it's like raking gravel in a Zen Buddhist garden.
Tantric Zen is the original Zen, Zen without rules, Zen without form. Zen can certainly take rules and form. So Tantric Zen might have some rules and form, but it would remain formless even though it had rules and form.
Tantric Zen is for someone who is really broad-minded. It is Bodhidharma's Zen, your Zen, my Zen. Which doesn't mean I have a problem with Japanese Zen. Most Japanese Zen is minding your p's and q's.
I like the dark part of the night, after midnight and before four-thirty, when it's hollow, when ceilings are harder and farther away. Then I can breathe, and can think while others are sleeping, in a way can stop time, can have it so – this has always been my dream – so that while everyone else is frozen, I can work busily about them, doing whatever it is that needs to be done, like the elves who make the shoes while children sleep.
If I am asked If I am asked, then, what Zen teaches, I would answer, Zen teaches nothing. Whatever teachings there are in Zen, they come out of one's own mind. We teach ourselves; Zen merely points the way.
I liked in television that you do some work, then you perform, then you stop and you have a break because they have to set up lights, and then you do some more work. I really liked the pace of it; it really agreed with me. I enjoyed it.
I liked in television that you do some work, then you perform, then you stop and you have a break because they have to set up lights, and then you do some more work. I really liked the pace of it; it really agreed with me.
You can pray while you work. Work doesn't stop prayer and prayer doesn't stop work. It requires only that small raising of the mind to him: I love you God, I trust you, I believe in you, I need you now. Small things like that. They are wonderful prayers.
I like to work for a while, and then do nothing for some period.
And finally, be assured that Zen asks nothing even as it promises nothing. One can be a Protestant Zen Buddhist, a Catholic Zen Buddhist or a Jewish Zen Buddhist. Zen is a quiet thing. It listens.
My paintings used to be so realistic and I found it a little bit boring, especially now that I'm in New York. I wanted to be more free, first in my mind and then, slowly, in my work. Many artists have these jumps in their work and at some point it looks like a supermarket. For me it was important to develop.
After having seen the job done on that first show of mine, I realized that I felt like I wanted to work again for a short while. Two, three years, then stop.
I think that that's why artists make art - it is difficult to put into words unless you are a poet. What it takes is being open to the flow of universal creativity. The Zen artists knew this.
Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.
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