A Quote by Saul Perlmutter

It is a tough choice between ending up in the cold or ending up in a fiery blast. — © Saul Perlmutter
It is a tough choice between ending up in the cold or ending up in a fiery blast.
There is a huge set of consequences that start stacking up as you approach the end-game. And even in terms of the ending itself, it continues to break down to some very large decisions. So it's not like a ****c game ending where everything is linear and you make a choice between a few things - it really does layer in many, many different choices, up to the final moments, where it's going to be different for everyone who plays it.
It's a tough job to tell a story when the audience already knows the ending, and the ending is bleak.
It's always easiest for me as a writer if I know I have a great ending. It can make everything else work. If you don't have a good ending, it's the hardest things in the world to come up with one. I always loved the ending of 'The Kite Runner,' and the scenes that are most faithful to the book are the last few scenes.
When the ending finally comes to me, I often have to backtrack and make the beginning point towards that ending. Other times, I know exactly what the ending will be before I begin, like with the story "A Brief Encounter With the Enemy." It was all about the ending - that's what motivated me.
An ending was an ending. No matter how many pages of sentences and paragraphs of great stories led up to it, it would always have the last word.
There's a reason a happy ending is called an ending. The trick of a television storyteller is to find all the rivers and mountains and valleys on the way to that ending.
- the only difference between a happy ending and a sad ending is where you decide the story ends.
You can’t hate the roots of the tree without ending up hating the tree. You can’t hate your origin without ending up hating yourself. You can’t hate the land, your motherland, the place that you come from, and we can’t hate Africa without ending up hating ourselves. The Black man in the Western Hemisphere—North America, Central America, South America, and in the Caribbean—is the best example of how one can be made, skillfully, to hate himself that you can find anywhere on this earth.
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
I had this really great amazing thing happen where I almost finished the book and I really needed to come up with an ending and I decided to go back and re-read the book and see if I could come up with an ending.
A good plan today is better than a perfect plan tomorrow. Don't wait for an inspired ending to come to mind. Work your way to the ending and see what comes up.
The development of the plot of the novel leads to a single point, and it's my opinion that the ending that the novel has, which is a somewhat ambiguous ending, is the only logical ending given the structure of the book as a whole.
It was the last that remained of a past whose annihilation had not taken place because it was still in a process of annihilation, consuming itself from within, ending at every moment but never ending its ending.
I always had this idea that you should never give up a happy middle in the hopes of a happy ending, because there is no such thing as a happy ending. Do you know what I mean? There is so much to lose.
While it is true that commercial art is always in danger of ending up as a prostitute, it is equally true that noncommercial art is always in danger of ending up as an old maid.
While most episodes have a beginning, middle, and an ending, finales on 'Game of Thrones' are just one ending after another after another, as each of the storylines needs to wrapped up or at least attended to in some way.
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