A Quote by Saul Perlmutter

What we were seeing was a little bit like throwing the apple up in the air and seeing it blast off into space. — © Saul Perlmutter
What we were seeing was a little bit like throwing the apple up in the air and seeing it blast off into space.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
There are a lot of people that have marginal powers, like a guy who levitates a little bit off the ground, or someone who can breathe a little bit of fire, or someone that can freeze a little bit of something, if it's really close to him, you say, "Well, what do you do with that? How is that useful?" There is so much of it around you and you're seeing it, it becomes the important thing in society.
It's no good to shoot a guy anymore. It's not enough. Nobody is throwing anybody off of buildings after seeing these movies, but they are smoking after seeing some good-looking celebrity smoke.
I guess I was a little bit nervous, because there seemed to be so much secrecy with Ben [Stiller] wanting to make sure that it was a surprise when we walked out on the [Valentino] runway. I remember showing up at Place Vendôme and doing the fitting and seeing the pajamas that I was going to wear - which I like very much - and seeing Ben arrive kind of in disguise.
I'm seeing myself as an outsider a little bit - definitely when I started the band. I knew what band's name meant and nobody else really did, so I'd be on stage every night and say, "Hello, we're Art Brut" - basically saying that we were rejects. But I mean, I didn't really sing, it did feel a bit like we were outsiders. It was a bit tongue-in-cheek when I first named the band that, but then we slowly turned into that - like a self-fulfilling prophecy.
It was like letting go and falling back into water and seeing yourself grinning up through the water, your face like a mask, and seeing the bubbles coming up as if you were trying to speak from under the water. And how do you know what it's like to try to speak from under water when you're drowned?
I did not feel proud of our country, seeing that we were bombing peasant villages, that we were not just hitting military targets, that children were being killed. We were terrorizing the North Vietnamese with our enormous Air Force. They had no Air Force at all. They were a little pitiful country and we were terrorizing them with our bombs. And no, I did not feel proud at all.
Seeing into one's self-nature is seeing into nothingness. Seeing into nothingness is true seeing & eternal seeing
In terms of pace, I think I just have to revisit my relationship with expectations. That has a little bit to do with comparing ourselves to other people and seeing other people's journey and seeing how they had a certain success at a certain age.
I did not feel very patriotic. I did not feel proud of our country, seeing that we were bombing peasant villages, that we were not just hitting military targets, that children were being killed. We were terrorizing the North Vietnamese with our enormous Air Force. They had no Air Force at all. They were a little pitiful country and we were terrorizing them with our bombs. And no, I did not feel proud at all.
There's a lot of cultural pressure around specialness and seeing your family. I feel like everything gets jacked up a little bit because of all of these expectations of love and family bonding.
And now I was seeing that there was something really cool about that family. All of them. They were just...real. And who were we? There was something spinning wickedly out of control inside this house. It was like seeing inside the Baker's world had opened up windows into our own, and the view was not a pretty one. Where had all this stuff come from? And why hadn't I ever seen it before.
Every scene, even the commonest, is wonderful, if only one can detach oneself, casting off all memory of use and custom, and behold it (as it were) for the first time; in its right, authentic colors; without making comparisons. Cherish and burnish this faculty of seeing crudely, simply, artlessly, ignorantly; of seeing like a baby or a lunatic, who lives each moment by itself and tarnishes by the present no remembrance of the past.
I remember seeing 'Gremlins' and having my mind blown and seeing 'Ferris Bueller's Day Off' at 13, and it was this hugely aspirational experience.
My work is largely concerned with relations between seeing and knowing, seeing and saying, seeing and believing.
Behead yourself!... Dissolve your whole body into Vision: become seeing, seeing, seeing!
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