A Quote by Saul Williams
You can travel through literature, and you can expand your mind through literature. It's so cheap to buy that kind of ticket.
Related Quotes
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
Literature incarnates its meanings as concretely as possible. The knowledge that literature gives of a subject is the kind of knowledge that is obtained by (vicariously) living through an experience.
I believe in a kind of literature which makes clear that, at a deeper level, below the surface, we are tied together through invisible but existing threads. A kind of literature which talks about a lively, ever-changing world of unity, of which we are a small, but not insignificant part.
Instead of educating the I.Q., we need to educate the H.Q., the heart quotient, the matters of truth, love, justice, and compassion. There are two ways to do this. One is through the read life experiences and the other is through literature. Literature has the power to take us outside ourselves and returns to ourselves a changed self.
I think it can be tremendously refreshing if a creator of literature has something on his mind other than the history of literature so far. Literature should not disappear up its own asshole, so to speak.
As society diversifies, the number of people who read literature is decreasing. It will be difficult for readers to digest my ideas through literature.
Literature gives us models of living human beings who may not agree with us and even be our enemies. D. H. Lawrence said that the purpose of literature was to expand our sympathies. To be a human being is to be in a state of tension between your appetites and your dreams, and the social realities around you and your obligations to your fellow man. And this conflict cannot be easily reconciled. The tension is always there as a kind of a pain in the human condition.
Fiction is a kind of compassion-generating machine that saves us from sloth. Is life kind or cruel? Yes, Literature answers. Are people good or bad? You bet, says Literature. But unlike other systems of knowing, Literature declines to eradicate one truth in favor of another.
There are works of literature whose influence is strong but indirect because it is mediated through the whole of the culture rather than immediately through imitation. Wordsworth is the case that comes to mind.
The function of literature, through all its mutations, has been to make us aware of the particularity of selves, and the high authority of the self in its quarrel with its society and its culture. Literature is in that sense subversive.
Real literature is something much better than a harmless instrument for getting through idle hours. The purpose of great literature is to help us to develop into full human beings.
I'm kind of a reluctant Anglophile. My mother's a children's librarian, and all of the children's literature I read was from her childhood - E. Nesbit and Dickens, which isn't children's literature at all, but I was sort of steeped in English literature. I thought I was of that world.
If you focus on literature through only one small element of it, like the more scientific element of linguistics, then where is the joy that brought us literature in the first place, which is to have a story?
Literature presents you with alternate mappings of the human experience. You see that the experiences of other people and other cultures are as rich, coherent, and troubled as your own experiences. They are as beset with suffering as yours. Literature is a kind of legitimate voyeurism through the keyhole of language where you really come to know other people's lives--their anguish, their loves, their passions. Often you discover that once you dive into those lives and get below the surface, the veneer, there is a real closeness.
There's this idea that if you want to write, you shouldn't study literature because then you're dissecting what you love, and you should keep your love of literature pure. I think that's kind of silly.
The director [Elfar Adalsteins] came to me through my agent and I had a read of the script [of the "Sailcloth]. I thought immediately this is someone who is writing for the cinema. Not having to go through the tedious business of taking something from literature and making that awful leap that is so difficult to make anyway, from literature to cinema. It's refreshing to be able to deal with a subject like that, to be written where the driving force is the image on screen and you don't need any words. The more that we can do that [in film], the better.
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