A Quote by Saul Williams

The only reason I've been so critical of hip-hop is because I've always been aware of the effect that it has, and the reflection that it gives of the African-American community.
I think hip-hop has always been political because this is a community that doesn't have any other choice.
Somewhere down the line, the evil ones stole the legacy of hip hop and flipped it to a corporate type of hip hop. They decided to tell everybody 'Well, this is what hip hop is,' instead of coming back to the pioneers and getting the true definition of what hip hop is and what it was and what we been pushing for all these years.
I can admit there are some problems in hip hop but it is only a reflection of what's taking place in our society. Hip hop is sick because America is sick.
I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.
Hip-hop has always been speaking about the way your brain is manipulated by stress and struggle because hip-hop is borne from struggle.
There's constantly this melancholy about British hip-hop. People are always waiting for it to explode like American hip-hop, but it might just be that British hip-hop will always be as it is: an underground thing which will stay that way.
Hip-hop started with street poets with great lyrical skills, and that's what hip-hop has always been about for me.
I've been involved in a lot of different kinds of projects. I've been on straight hip hop tours. I've been on underground rock tours. I've been on multimillion selling rock shows. I've been in the jam band thing, and both commercial and underground hip hop. Very few people listen to one kind of music.
It's an honour to have been invited to perform in India for 'Vh1 Hip Hop Hustle.' This only reconfirms the impact Hip Hop culture and music has made globally.
I've always been able to do sprinkles of hip-hop here and there in all my albums, but I'm not sure how my fans are gonna feel about coming out first with something that's so hip-hop.
I've always been attracted to something that's a little bit left - Korean R&B, South African hip-hop. I'm really curious about my homies back in Jamaica, what are they listening to? I'm always searching.
Hip hop has been an integral part of my life and my whole career. I started off doing videos with Ice Cube, and Dre, and Mary J. Blige, and TLC. So I've been involved in hip hop since the beginning.
I like hip-hop personally. It is a genre I am very attached to and have been listening to all my life. But I have always engaged with foreign artistes, never with mainstream Indian hip-hop rap space.
I've been able to be a part of every movement in music over the last several decades. The only one that I haven't been involved in so much is hip-hop, which I chose not to be involved in because it felt like I would be what they called "perpetrating." It felt like hip-hop was so much of its own culture and that I was not part of that culture.
This is the thing about hip-hop music and where people get it most misconstrued: It's all hip-hop. You can't say that just what I do is hip-hop, because hip-hop is all energies. James Brown can get on the track and mumble all day. But guess what? You felt his soul on those records.
It's fair to say that white America wouldn't have elected an African-American president without the integrating effect of black music - from Louis Armstrong to hip-hop - and black drama and fiction, commercial as much as 'serious.'
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