A Quote by Saul Williams
There's no doubt in my mind that 'Slam' is going to be huge. It's a film about the power of language. People are going to see this and get blown away.
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I beg young people to travel. If you don't have a passport, get one. Take a summer, get a backpack and go to Delhi, go to Saigon, go to Bangkok, go to Kenya. Have your mind blown. Eat interesting food. Dig some interesting people. Have an adventure. Be careful. Come back and you're going to see your country differently, you're going to see your president differently, no matter who it is. Music, culture, food, water. Your showers will become shorter. You're going to get a sense of what globalization looks like.
I'm blown away by the graphical detail of today's games. I can't imagine that it's going to get any better, but it's just going to continually progress and soon we'll be living in that world.
I think the business of music has really taken a huge hit. There's no doubt about it. But an artist is always going to produce their art, their music. They're going to paint, they're going to write.
It's hard to see a film one time and really "get it," and write fully and intelligently about it. That's a review. That's not film criticism. And there's so many expectations involved, too. You're going in to see the latest Martin Scorsese or Stanley Kubrick film, you really have high hopes, and you can't help but find that it's not exactly what you had in your head going in. Until you can watch it again, you can't accept the work for what it intends to be. It takes at least a second viewing.
Women became almost our bigger audience. Teenage girls went crazy for my movie. I saw it. I went to theatres all over and there were gangs of girls going and screaming. There were kids that were 10 or 11 years old when September 11 happened. They've been told for years they're going to get killed, they're going to get blown up. Every time you go on an airplane, X-ray your shoes because you're going to get blown up. Terror alert orange, don't travel. So, people have a reaction and they want to scream. Horror movies have become the new date movie.
I'm mentally getting myself ready to talk about it all year long because I know it's going to come. My main focus is not to really concentrate on that... So many things have to line up, to be healthy and consistent for so many games, to get to that point. I know as we get closer we're going to talk about it more. But believe me, when it's done, if it gets done, it will be a huge achievement and I'm definitely going to soak it in. But at this time, it's not at the top of my mind.
I remember going to the cinema to watch 'Blade Runner' when I was 14 or 15. It was a huge flop when it came out. The cinema was almost empty. I was blown away by it.
I think it's very important to get this stuff on film, not just the behind-the-scenes of the process, but also the interviews with the women. We're going to try to do some on-the-street filming, getting people's reactions to the work, and seeing if we can get some street harassment happening on film so people can see what we're talking about. It's important to have some type of documentation so people can see what happens when we create this artwork and why I'm creating it.
One guy came to a show and was like, 'You're going to be huge. I can see it in my mind's eye. We could make you the next Pixie Lott.' I did an internal scream and ran away.
When you have people who are embarrassing themselves for a living, who are making themselves look foolish and vulnerable and emotional for a living, your day-to-day reality is going to be a high-wire act. People are going to get in fights. People are going to get upset. People are going to walk off set. People are going to call each other names. It happens on every film that has any emotional people.
I think the one that's going to be the hardest to make into a film is the one that's probably going to be made into a film, which is 'The Art of Racing in the Rain.' I mean, it's narrated by a dog. How do you do that? But hopefully we'll get to see.
We had this idea, and I think a lot of people did going in, that you can make some short film and it's going to get industry attention and that's going to be your thing. And it was only later on at school that we realized that's very rare that a short film is going to capture the attention of anyone.
I get to do something that millions of people across the world are going to see and enjoy and have fun with. People I'm never going to meet, people I'm never going to see, but when they finish their job tonight, they're going to be playing one of my games and that makes me feel good.
To my mind, to say that says to young people "and you probably are not going to get out of debt, and you probably do not have a climate that's going to be here come 2050." And, in my view, the point is not necessarily to win now but it's to begin building our power.
I see more now. As far as concepts, I know where teammates are going, linemen are going. I can read defensive fronts. I can read the body language of linebackers. I study film to see who's a bull rusher and who's a finesse rusher. I think I've learned.
Personally, I love going to see a film when you can really watch a character. If you've just read some article about who the actor is sleeping with, that's gonna be at the back of your mind all the time while you're watching the film.
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