A Quote by Saul Williams

I think it's a mistake where rap music is these days. It doesn't seem to be able to look out of the ghetto and that's ultimately unfortunate, because it defines our limitations.
Why shouldn't rap be esoteric, able to take in current events, history and criticism? I guess it's this old idea of containment - that rappers, because they're black, can't and shouldn't aspire to look outside the ghetto for influence.
As hard as it is, as ghetto as it is, hip-hop is pop music. It's the sound of music getting out of the ghetto, while rock is looking for a ghetto.
This whole urban rap thing needs to be pulled back some. The ghetto is being glorified, and there's nothing good about the ghetto except getting out of one.
I have to be able to rap. I don't have the look. I don't have the typical slim-dude, fancy-clothes look. That's not me. I have to be able to rap - there is no other choice, or else I get eaten alive.
I think rap music is the sole reason for a lot of black acceptance in pop culture; because the music is very popular, it gets our image out in other ways than in movies.
Evolutionary psychologists seem to want to unmask our noblest motives as ultimately self-interested - to show that our love for children, compassion for the unfortunate and sense of justice are just tactics in a Darwinian struggle to perpetuate our genes.
I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.
I'm afraid that we all make mistakes. One of the things that defines our character is how we handle mistakes. If we lie about having made a mistake, then it can't be corrected and it festers. On the other hand, if we give up just because we made a mistake, even a big mistake, none of us would get far in life.
People come to L.A. and they expect to see a ghetto like the projects, but that's not the way it's set up. Inglewood, in particular, is the furthest thing from a ghetto. It's a middle-class community, but it's gotten a bad rap over the years... because of 'Grand Canyon' and 'Pulp Fiction' and other films.
My music is airy; it's spacious. It requires you to be able to rap and articulate your message over it. That's what the beat demands of you. Not a lot of people try to rap over my beats because it's a bit of a task.
I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.
We can spend our days bemoaning our losses, or we can grow from them. Ultimately the choice is ours. We can be victims of circumstance or masters of our own fate, but make no mistake, we cannot be both. The Walk - Epilogue Page 288
I think a lot of people get intimidated by the language of music, but everyone owns music. I think there's nothing standing in between a composer and her audience. I think a lot of people feel that way because they feel it's rarefied, but it's really not. You should feel the impact of it without being able to name it because it's ultimately a primal thing.
I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.
I don't like the way people cherish the ghetto, as if it’s some royal palace, or kingdom. I also don't like the way people treat each other in the ghetto. It is really hard to find love, trust, and respect. You don't find too many people that want to do better for themselves in the ghetto because so many people seem to be satisfied with where they're at.
The business has changed so much that they're able - we're able these days in the music industry to be able to control our own destiny.
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