A Quote by Saul Williams
The most powerful political voices are those with a different way of seeing and processing the world and the sounds that emanate from it.
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An individual's ability to draw is... the ability to shift to a different-from-ordinary way of processing visual information - to shift from verbal, analytic processing to spatial, global processing.
If you want to cure the world, don't emanate fear - emanate love.
We sing with the entire body. The sounds that we make emanate not just from the head, but from the whole heart and soul, and, most important, the gut.
What we`re seeing in so many of the counterprotests. We`re seeing America rise in a way that it did not in the `60s, which I think is powerful and symbolic to the rest of the world, that we reject the darkness and we embrace the light.
My music sounds different because the techniques are archaic, seeing as most people only record digitally.
It is important to understand that there are many different ways of seeing the world and expressing the wisdom of Native belief...No one voice speaks for all voices.
We have to stop seeing the skin color. I believe that's the most powerful way to change mentalities and behavior. I had to stop seeing myself in such a limited way. I started doing that as a teenager, and here I am today, because of that. I believe that's the best way to change things for Black people.
Black Consciousness is an attitude of the mind and a way of life, the most positive call to emanate from the black world for a long time.
One of the reasons I love making movies is because it's an opportunity to share with the world a different way of being or a different way of living or seeing the world. If it's something you've already seen before, if I have too many reference points for it, then it's not exciting for me to make.
Artists have their existential questions as human beings, and they address these questions in their works. But they are also thinking in a broader sense when they participate in a social and political debate through their works. Often the most important voices of artists in the political and the social debate are focused on originality in their works. We can see this in historical pieces, like "Guernica" by Picasso. "Guernica" was an extremely important manifestation and critique against war, but it was important and powerful because it was also an incredibly original and powerful work of art.
Libraries' most powerful asset is the conversation they provide - between books and readers, between children and parents, between individuals and the collective world. Take them away and those voices turn inwards or vanish. Turns out that libraries have nothing at all to do with silence.
When I heard Billie Holiday's voice, Nina Simone's and Ella Fitzgerald's - there was something about their voices to me that was such a different texture than what I was used to listening to at the time. Hearing those jazz voices were so different, and I think I just gravitated toward it.
I'm pretty much fully digital. I've basically spent a few painstaking days putting sounds into my laptop, just banking them, because I love playing, and I love visually seeing it on my screen and being able to change the sounds more, with different plug-ins. I've created my own synth sounds.
Political scientists after World War II hypothesized that even though the voices of individual Americans counted for little, most people belonged to a variety of interest groups and membership organizations - clubs, associations, political parties, unions - to which politicians were responsive.
The most powerful political moments for me come when I feel like my actions are aligned with a certain truth. I can feel it. When I'm talking to a group and I'm saying something truthful, I can feel a power that comes out of those statements that is different than when I'm just being glib or clever.
I also think that [political turmoil] gives artists something, a way of kind of processing.
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