A Quote by Savannah Brinson

I designed every piece {of furniture} for a different reason and purpose, so I love each one. — © Savannah Brinson
I designed every piece {of furniture} for a different reason and purpose, so I love each one.
There are always different influences each season. It could be a person, it could be a piece of furniture; it depends on what I'm obsessing about.
From this, one can make a deduction which is quite certainly the ultimate truth of jigsaw puzzles: despite appearances, puzzling is not a solitary game: every move the puzzler makes, the puzzlemaker has made before; every piece the puzzler picks up, and picks up again, and studies and strokes, every combination he tries, and tries a second time, every blunder and every insight, each hope and each discouragement have all been designed, calculated, and decided by the other.
That furniture cost me a fortune! It's designer furniture." "Designed by whom ? Darth Vader ? The Hitler Youth ?
When you're in relationships with people, not every relationship is the same and not every love that you find is the same. The love that you get from each person is totally different. You learn, from each relationship, that there are many different ways that you can love someone.
I hate it when something is set in 1967 and every piece of furniture was made in 1967. No! If it's set in 1967, people have furniture given to them by their grandmother, which she bought in 1932!
Every home, office, club, yacht, landscape, or piece of furniture I may design will be different from the other. What will be consistent, however, is my own personal sense of style through it all.
In a modern loft, you can't just fill a space with furniture. Each piece has to be perfect.
My furniture, boxes, and turnings are simple, practical designs for everyday use. I love the grain and beauty of wood. Each piece of lumber is a work of art, after all, and I'd like to honor that gift and pass it on for someone else to appreciate.
I look at every piece of furniture and every object as an individual sculpture.
I always encourage my young clients just starting to create a home, to buy at least one piece of investment furniture, or accessory, or piece of art each year rather than following a trend that will come along, be copied cheaply for the mass market and then be gone.
When your home is perfect, every plant in place, every piece of furniture suits the space completely - you've completed a task.
I learned to pick up each piece, one at a time, from my pile of potential matches and try to fit it from any angle into the socket, then discard it and move on. Each failure is meaningless. It's not me, it's the pieces, and I have to, absolutely must, try each and every piece every possible way until I find one that fits. They aren't failures, they're steps, small bits of progress.
I'm never going to be a modern gal. I love colonial. I love early American. I love a big rectangular piece of brown furniture on a hardwood floor.
There's no reason to keep a piece of furniture in your house that is so sacred and rare that you can't put your feet up on it and a dog can't jump up on it. Likewise, a book that sits on a shelf like a piece of porcelain, only to be admired, never to be read again, is a dead book.
Do all the work you can do, every day, and do each piece of work in a perfectly successful manner; put the power of success, and the purpose to get rich, into everything that you do.
If you're talking to an architect, he can look at a blank piece of paper, and once the initial design is there, the formula kicks in. Each room should have something unique and different about it - much the same way that in a song, every eight bars or so, a new piece of information should be introduced.
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