A Quote by Savielly Tartakower
The ability to create and to control the tension of battle is perhaps the principal attainment of the great player.
Related Quotes
The tension between the governed and the governing is what makes the world go 'round. It's not love, it's that tension, because that tension exists in love affairs. The whole idea of control is at the heart of human relationships. Control and resistance to control.
In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real.
I think if you're a good high school player that you have the ability to be a good college football player. If you're a good college football then you have the ability to be a great NFL player.
Non-violent direct action seeks to create such a crisis and establish such creative tension that a community that has constantly refused to negotiate is forced to confront the issue. It seeks so to dramatize the issue that it can no longer be ignored... I am not afraid of the word tension. I have earnestly worked and preached against violent tension, and there is a type of constructive tension that is necessary for growth.
It's a great battle, and it really is a battle, and there are people from all walks of life, you know, never judge anybody at the table: A man can be the greatest poker player and he might know all the numbers, but he might get beaten by a really savvy kid who works in a grocery store; and that's what's so great about this game.
As you progress as a basketball player, the world around you becomes more and more chaotic. There's more talent, there are more distractions - and these are all factors that create a lack of control. By having a routine, by having habits that I can fall back on, it's my way of enacting control. It's the only thing I can control.
As a species, we create tools to control our environment. What excites my imagination is wilderness: our materials' ability to escape our control.
I think the ability to motivate might be interpreted as the ability to lead, or to show people their goals or, perhaps more important, what their potential is - as a person as well as a player. You've got to show players that being part of a team will carry over to the experience of becoming part of society.
To have a great player like Neymar at PSG would be a great honour. He's a phenomenal player, and to have great player is a great thing for the team.
The curve and the fast one are important; the change of pace and the other trick deliveries are great but they're not worth a plugged nickel unless you have control to go along with them. And by control I don't mean the ability to put the ball over the plate somewhere between the shoulders and knees. I mean the ability to hit a three-inch target nine times out of ten, the sort of control that lets you put the ball in the exact spot you want it, and to play a corner to the split fraction of an inch.
I need to have a great deal of control and the ability to share my control with my collaborators and grant them the freedom and the quality of work I think these people deserve. If I don't have those elements, I walk away.
Just as Socrates felt that it was necessary to create a tension in the mind so that individuals could rise from the bondage of myths and half-truths to the unfettered realm of creative analysis and objective appraisal, so must we see the need for nonviolent gadflies to create the kind of tension in society that will help men rise from the dark depths of prejudice and racism to majestic heights of understanding and brotherhood.
The three parts of the theory are analytical ability, the ability to analyze things to judge, to criticize. Creative, the ability to create, to invent and discover and practical, the ability to apply and use what you know.
Our instinct as human beings is to provide answers, to ease tension. As writers our job is the opposite, to create tension and not dispel it immediately.
When it's late in a game and things are tough and you need a basket, someone has to step up. That player has to have the ability to create opportunities and draw fouls.
The idea of full dress in preparation for a battle comes not from a belief that it will add to the fighting ability. The preparation is for death, in case that should be the result of the conflict. Every Indian wants to look his best when he goes to meet the Great Spirit, so the dressing up is done whether in imminent danger is an oncoming battle or a sickness or injury at times of peace.
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