A Quote by Savion Glover
Tap's foundation is jazz, just like hip-hop, so relating tap-dancing to rap is natural for me.
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I've been dancing my entire life. Jazz, hip hop, ballet. And then there's tap dancing. I love to tap.
I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.
I was in a competing company and have been dancing since I was four - ballet, tap, jazz, hip hop - so it's a huge part of my life and my music.
My brother became so enamored with that film [West Side Story], that he started taking tap-dancing lessons, and I followed him and started tap dancing, and my mother and father started tap dancing - I was in a class with my family, tap dancing!
Until I was in 6th grade, I took ballet, jazz, tap, and hip hop.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
I was serious about ballet for a long time, but my mom got me into tap and jazz and modern and hip-hop, and I was one of those over-lessoned children.
To me, that's the biggest problem with hip-hop today is the fact that everyone believes that all of hip-hop is rap music, and that, when you say "hip-hop," it's synonymous with rap. That when you say "hip-hop," you should be thinking about breakdancing, graffiti art, or MCing - which is the proper name for rap - DJing, beat-boxing, language, fashion, knowledge, trade. You should be thinking about a culture when you say, "hip-hop.".
I think 'Tap Dogs' has lasted so long because people have a natural interest in tap dancing. This form of dancing can't be dated, it's such an intriguing form of dance because the feet are also an an instrument.
Jazz isn't as profitable for labels like Hip hop or Rap. Jazz needs subsidies to continue, just like European classical works of Bach and Beethoven are subsidized.
Well hip hop is basically the whole culture of the movement. There's the rap which is a form of hip hop culture. It could be breakdancing, freestyle dancing or whatever type of dancing that's happening now in the Black, Hispanic and White community.
Tap dancing is like... it's equivalent to music, not only for the African American community, but also for the world. Tap dancing is like language; it's like air: it's like everything else that we need in order to survive. I'm blessed and honored to be knowledgeable of the art form and to be a part of the art form.
There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion.
We do ballet dancing, Irish dancing, Scottish, jazz, tap - whatever country we're in or whatever culture that we'd like to present to the children.
I do ballet and pointe work. I also do tap, commercial jazz and technical jazz, freestyle street dancing.
For me jazz is kind of an extension of hip-hop. Kind of the sad thing is that a lot of jazz people just listen to jazz, and a lot of hip-hop people just listen to hip-hop, and there's not a lot of crossover, unfortunately.
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