There are two kinds of music. One comes from the strings of a guitar, the other from the strings of the heart. One sound comes from a chamber orchestra, the other from the beating of the heart's chamber. One comes from an instrument of graphite and wood, the other from an organ of flesh and blood. This loftier music I speak of tonight is more pleasing than the notes of the most gifted composers, more moving than a marching band, more harmonious than a thousand voices joined in hymn and more powerful than all the world's percussion instruments combined. That sweet sound of love.
Many MIDI files contain entire musical compositions. Because MIDI supports only 16 channels, however, no more than 16 different instruments can play at any time, and one of those is the key-based percussion instrument.
Play the Piano Drunk Like a Percussion Instrument Until the Fingers Begin to Bleed a Bit.
Jimmy Slyde was more a musician than a dancer; Greg Hines was more musician than dancer.
My father moved to Hawaii from Brooklyn and my mother came there as a child from the Philippines. They met at a show where my dad was playing percussion. My mom was a hula dancer.
Percussion is the most adaptable family of instruments. The biggest challenge is to project percussion in a lyrical way.
I identify more as a musician than as a singer, because I play piano and percussion, and I engineer and produce everything that I do.
After I learned the piano, I went on to learn percussion, the tuba, b-flat baritone, French horn, trombone, trumpet, most of the instruments in the orchestra. Trumpet was my instrument.
I think I spent more time on the mellotron than on any other instrument in the studio, and it got to the point where I was like, "Well, you can't write an entire album on this instrument." But maybe I would!
I play a percussion instrument, not a musical saw; it needs no amplification. Where it's needed, they put a microphone in front of the bass drum. But, I don't think it's necessary to play that way every night.
My son Wesley has just turned 13. He was 12 during the recording of this record and he is quite a drummer already and has been studying drums since he was four, but he's also very interested in African percussion and studies percussion.
I was a ballet dancer for so long, but when I realized I had reached my limit and that I couldn't go any further I knew I wanted to pursue acting. That's one thing you don't use as a dancer - your voice. And the one thing I use most in my life is my voice so it's wonderful to get to express myself artistically through the biggest instrument I use.
There's always something in most world folk musics that always seems connected; whether it's a bagpipe or a tambura, there's always some sort of drone instrument, and there's always percussion.
My mother was a dancer, so I like to use the body as part of the instrument of acting.
Practice. Listen. Use you ears. And as Rob [Halford] said, that team effort. You can learn your instrument in your room, but being in a band is more than playing your instrument.
The voice gets to the soul of a person more than any other instrument. Because it's the voice. It sings talks, it cries, it laughs, it squeals, it barks, it shouts it whispers, There is no other instrument that can do that. We're born with it.