A Quote by Savion Glover

Whether it is Jimmy Slyde or Lon Chaney or Gregory Hines, their dance shows what they experienced, what they had to go through. — © Savion Glover
Whether it is Jimmy Slyde or Lon Chaney or Gregory Hines, their dance shows what they experienced, what they had to go through.
I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.
Gregory Hines was the most talented man I've ever met or seen. Gregory Hines is one of those people that whenever he talked to you, you felt like you were the center of the universe.
I did 'Eubie!' on Broadway with the Hines brothers, 'Comin' Uptown' with Gregory Hines, and then 'Hairspray.'
Jimmy Slyde was more a musician than a dancer; Greg Hines was more musician than dancer.
Lon Chaney and Boris Karloff didn't like the word 'horror'. They, like I, went for the French description: 'the theatre of the fantastique'.
If you love dance and you have the gift of teaching, teaching is super amazing and important because my teachers planted that seed in me. As a teacher you understand the difference or the definition of a Baryshnikov or a Gregory Hines, so teaching is really important and very necessary.
I was raised by my aunt and we bonded over the eight-o-clock movie on TV. We'd watch everything from James Cagney in 'White Heat' to Lon Chaney in 'The Wolf Man' and every Bogart movie.
Actors work with their look. I come from the Lon Chaney Sr. school of acting. I'll wear wigs, I'll wear nose pieces, I'll wear green contact lenses in my eyes. I'll do whatever I need to do to create a character.
I want to be Lon Chaney. I want to be Karloff. I want to help people escape the mundane world. I want to make their skins crawl. And I want them to love it every bit as much as I do.
I have often felt bad that I am not great at any one thing. Like just a super super singer. Or the Gregory Hines of something.
I have often felt bad that I am not great at any one thing. Like just a super super singer. Or the Gregory Hines of something
Truth cannot be defined, although it can certainly be experienced. But experience is not a definition. A definition is made by the mind, experience comes through participating. If somebody asks, "What is a dance?" how can you define it? But you can dance and you can know the inner feel of it. God is the ultimate dance.
I've always admired Gene Hackman, Jack Lemmon, Jimmy Stewart, Gregory Peck. I'm showing my age here.
I'm so thankful for dance because if I had grown up with just the bitterness of the very hard childhood we had, and I'd never 'experienced the love of the dance world, then I probably would have been a very sad person.
Francis Coppola was very generous. We got paid a lot of money and he saw us every day, took us out every night. It was just a lot. Richard Gere was an absolute gentleman. Gregory Hines. You know, I worked with some giants and they were just so smooth. And it was the '80s. That's when people had a lot of money and it was okay to to hang out and be crazy.
I'm not sure I had ever written a fan letter before to a poet I had not met, but that's what I did when I read two poems by Gregory Woods ... I admired them especially for their technical virtuosity, in that it was technique completely used, never for the sake of cleverness but as a component of feeling ... What an enviable talent Gregory Woods has
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