A Quote by Saweetie

Well, most of my sessions have been with Hit-Boy and London, so I haven't had the opportunity to really vibe a lot in person with the other producers. But they're super open to experimenting and taking direction really well and they have good energy.
I've always been a city person - London boy - and New York is just incredible. It has what London has but almost more in terms of variety, culture, social life, everything. I just like walking the streets and feeling the energy and the vibe.
I hit the ball really well... had a lot of good looks at birdie all day, it's firm but you could control your golf ball, for sure. Today I controlled my ball very well. The confidence is definitely there. I feel really good about where I'm at and going into tomorrow.
To make films, you have to have boundless energy; you have to work and play with others really, really well, and I'm really a more contemplative kind of person. I like to sit at home and think, a lot.
It's been so nice for people to have a favorable reaction to what I've done. You work hard, and you try your best, and like anything in life, when people respond well to it, it's like, 'Well, good. I'm headed in the right direction here.' So it's been really, really nice.
You learn so much from making mistakes, not even necessarily mistakes that I've made, a lot of the time the films just don't work out because it's a really difficult process. And sometimes there's a certain person underlining process. But I've had an opportunity to work on all different types of films and I have had a lot of opportunities to stretch myself in different ways and now is the time where I get to try and figure out out the roles that I can really play well and play them well.
I remember when James Wan and I did the first 'Saw' movie, a lot of people would say to us, 'Well, you left the door open for a sequel.' And we would say, 'No, we literally closed the door!' We thought it was a nice ending. Little did we know that the producers had other ideas once the film was a hit.
Once he had selected the path he was going down he really had to stick with it in a 16 game match. He had to try and hit in the one direction but unfortunately for him - though fortunately for me! - he hit in the wrong direction.
The stories that are most unfamiliar, the ones that seem to come out of the blue about people that aren't well known, usually come from producers that have really done a lot of homework and looked around. Other stories come from the correspondents.
Who you really are is Non-Physical Energy focused in a physical body, knowing full well that all is well and always has been, and always will be. You are here to experience the supreme pleasure of concluding new desires, and then of bringing yourself into vibrational alignment with the new desires that you've concluded, for the purpose of taking thought beyond that which it has been before.
The day the producers aren't minting money, or the fans are done with me and, most of all, I as a person get bored of acting, I will stop and pursue my other interests. There is a lot to do: painting, writing, direction.
I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.
Actually, I think that a lot of the interviews and acoustic sessions and other things that artists fill their time with are really pointless and suck the energy out of the artist.
AMD's history is we've always had great technology. We've had periods of time where we've done really, really well, and we've had periods of time where we've done not so well. But most of the time we've done well, it's because we've had a leadership product or some technology where we were out in front before anybody else.
London has become really boring. I mean, years ago, London was really happening - there was swinging London and then punk. It was really different from other cities, and so I'd always wanted to go there and see what was actually going on. After that, hip-hop was the next thing happening, so to get the records or the proper clothing, you really had to actually go to New York. But now you don't really need to go.
Well, I just can't play the game anymore. I'm 63 years old, and I've been in the business for 40 years now. I take good advice and direction really well, but I don't need somebody that finished college two years ago to come in and tell me what I should be recording.
I've been wrestling for many years; I've accomplished a lot - but I take pride in being genuine, honest, and down-to-earth. Those are the qualities I really respect about myself, so I'm really pleased when I see that the energy that I want to exude is well received.
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