A Quote by Saweetie
I had to work a lot. I was doing YouTube videos, but I wasn't getting a lot of love. How do I make a living off rapping when no one knows me? I got kind of discouraged. But hard work shuts people up.
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I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.
Anybody who knows me knows I'm passionate about American football. I gave this game everything I had. In college, that's what I looked to do. Everything. Everything for so long, and all you hear growing up is that hard work pays off, hard work pays off, hard work pays off.
I'm just living my life. I'm incredibly disciplined and I work incredibly hard. I show up for things on time, I do my homework, and I work my ass off. I've had a lot of luck, but I work really, really hard.
For me, it's always fun to have people that do the same thing as you or and have the same work ethic as you. A lot of my friends have YouTube channels, and I use them in my videos, and I'm in their videos.
I'm perfectly happy for my videos to be on YouTube, whether I'm getting paid for them or not. If they're on YouTube, people will see them. If for some reason my videos get taken down from YouTube, well, I apologize. If it was up to me they'd all be up there and they'd all be free.
YouTube is so quick and so instant, and you make a video, and you can upload it the same day, whereas with a book, you have to go through a lot of time and a lot of people and a lot of processes. So it was weird to sit down and work with other people on projects, because I'm so independent with YouTube.
You got to work hard whatever you're doing and try to be number one and take pride in what you're doing. You want to be at the best at your spot then you got to work hard, man. A lot of guys don't work as hard as it gonna take.
I went back to Jamaica after living in New York and started to work on experimental stuff and basically I grew as a filmmaker. I went to film school; I was a PA on a lot of projects and I worked so hard, you know, you're young and I learned from different mentors. And luck put me in the position to work with amazing people. One of my mentors by the name of Little X, who took me under his wing after I came out of film school and moved to New York. I worked in videos for Jay-Z, Pharrell to Busta Rhymes and Wyclef. I quickly realized how much I wanted to make films instead of music videos.
I don't see [ Trainspotting ] as an albatross, I see it more as a calling card. It's got me out to Hollywood, I've got a good agent, I've got a good manager, I'm getting a lot of work out there and doing a lot of stuff - getting a lot of film projects on the go.
A lot of people think that to make it as a model you just need to be pretty and slim, but they're wrong. There's a lot of hard work involved. You have to be very focused, know what kind of work you're aiming for.
Hard work certainly goes a long way. These days a lot of people work hard, so you have to make sure you work even harder and really dedicate yourself to what you are doing and setting out to achieve.
Being independent isn't as flashy as a lot of people may think. It's a lot of hard work; its a lot of investing your own money. And to creatively time to make your day work - it's on you to make it work, and no one else.
It's scary for a 20-year-old to move to a city where she knows no one, but I did it and thankfully for me, I met the right people and got a whole lot of work in terms of commercials and music videos.
I listen to a lot of different kinds of music and rather than just doing one thing when I make an album, the challenge to myself is to write all these diverse tracks, but to make them work. It's like a jigsaw because if you've got a lyrical track going into a hard rock track... it's got to work. You've got to write things that will work together.
I'd love to work with children. I've set up the charity, and that's going well. We've got a lot of projects we're doing in Somalia, so I'd like to see how we're doing there.
For me, a lot of my work has dealt with what it means to be at the center of the universe and how alienating and kind of seductive it is. A lot of my work is very aggressive and very visual, but at the same time, it has a lot of tension in it and makes you kind of uncomfortable sometimes.
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