A Quote by Sax Rohmer

There is no incidental music to the dramas of real life. — © Sax Rohmer
There is no incidental music to the dramas of real life.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
Style to me is incidental. The British are very adept at creating it for its own sake, but the best style is incidental. John Coltrane had a style but it was totally incidental to what he was.
There are many dramas that I would like to make: dramas based on real stories. It's approaching things from the other side.
The detail adds an element of unexpected something. All fiction is false; what makes it convincing is that it runs alongside the truth. The real world has lots of incidental details, so a painting also has to have that element of imperfection and irregularity, those incidental details.
The '60s in London obviously brought about the explosion of music, the 'Beatles' especially, and then the 'Rolling Stones' and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our 'nouvelle vague' in Britain, films that talk about real life.
The '60s in London obviously brought about the explosion of music, the Beatles especially, and then the Rolling Stones and other forms of music, and then fashion and photography and films - kitchen-sink dramas we called them at that time, which was our nouvelle vague in Britain, films that talk about real life.
Surveys of thousands of gamers have shown that they're more likely to play real music if they play a music videogame. So it's an interesting relationship where the games aren't replacing something we do in real life, they're serving as a springboard to a goal we might have in real life, like learning to play an instrument.
I suppose that's why we watch dramas: to see the stuff that in real life you'd end up in prison for.
I don't tend to write straight dramas where real life just impinges. But because I don't, when I do, it is very interesting to slap people in the face with just an absolute of life.
In all cases where incidental powers are acted upon, the principal and incidental ought to be congenial with each other, and partake of a common nature. The incidental power ought to be strictly subordinate and limited to the end proposed to be obtained by the specified power. In other words, under the name of accomplishing one object which is specified, the power implied ought not to be made to embrace other objects, which are not specified in the constitution.
In fictional families - in sitcoms, in dramas - the members are sharing huge amounts of their interior lives. And that has not been my real-life experience. In fictional families - in sitcoms, in dramas - the members are sharing huge amounts of their interior lives. And that has not been my real-life experience.
I do some kind of work, whether writing or painting or recording, on a daily basis. And it's so essential that when I'm involved in the actual process, my so-called 'real life' becomes almost incidental, which becomes worrying.
I draw inspiration from anything and everybody and that's what country music is to me... real life stories and real life emotions.
I came to music and knowing a little bit about life, and I came to music knowing a lot about business - and that's a real advantage. By the time I came to music, I had purchased real estate, opened restaurants, and been in the business world, so the music business didn't blindside me.
Even when I was on Curb Your Enthusiasm I wasn't this "over-the-top" crazy character. It was still kind of play it straight but it was funny because the situation was funny. That's kind of how I portrayed things and I like dramas; I like to be able to - because in dramas you can laugh and joke and still be serious, be real. I like the realism of them.
Apparently, before we are born, each of us experiences a vision of what our life can be, complete with reflections on our parents and our tendencies to engage in particular control dramas, even how we might work through these dramas with these parents and go on to be prepared for what we want to accomplish.
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