A Quote by Sayani Gupta

Four More Shots' is high on the glamour quotient and has perfect looking women. But to constantly look perfect is quite exhausting. — © Sayani Gupta
Four More Shots' is high on the glamour quotient and has perfect looking women. But to constantly look perfect is quite exhausting.
Women innately have this weird thing where they try to have a perfect persona - to look perfect, be perfect, act perfect, have their kids look a certain way. Women put so much pressure on themselves.
I think what 'Four More Shots' wanted to do from the word go is to create a narrative where women have the agency. None of the characters are perfect. They have their flaws.
There'll be no more big powers and oppressed poor - only fairness and justice for all, and eternal happiness. So if you're looking for the perfect city and the perfect government in the perfect country with perfect people, just wait a little while longer - it's coming
My generation, we're more accepting of narcissism. But we're looking at images that are dead, that are on your phone. My friends have apps to make you look skinny, to make your skin look perfect. And we look at these images and we're like, "That's beauty. That's perfect." But when you see a real person, you're like, "Wait, that's not perfect."
Hollywood wants to make women so perfect. Perfect hair. Perfect job. Perfect manners... I know some of the most beautiful women, and they are so weird. That's what makes them funny and captivating.
We're constantly bombarded with perfect airbrushed images. Every magazine you look at is like 'top 20 tricks to have the perfect body' and it's ridiculous.
Being a bigger person, whether you're male or female, in entertainment, it can hurt your chances. Because people look to you to be a so-called superstar. Perfect body, perfect figure, good looking, and smart. And larger people, we have to fit in anywhere we can and the best way we can, so to speak. The way the world looks at you at being perfect, and nobody's perfect.
I think what women are doing to themselves is that they're seeing these different images of perfection - the perfect wife, the perfect mother, the perfect career person, the perfect movie star - and they're somehow thinking that they should be all of these things, and that's the problem.
Nobody's perfect, and to try to pretend you're perfect is an exhausting fool's errand.
When I was in high school, I was always really envious of those girls who seemed to have everything: the perfect hair, perfect clothes, perfect boyfriend, perfect life. It wasn't until I was older that I realized that nobody's life is perfect, and that those girls probably had a lot of the same problems I did.
So many people are concerned with being the perfect 'something.' Whether it's the perfect singer, the perfect sexy girl, or the perfect feminist. I don't want to be the perfect anything.
The more perfect the sight is the more delightful the beautiful object. The more perfect the appetite, the sweeter the food. The more musical the ear, the more pleasant the melody. The more perfect the soul, the more joyous the joys of heaven, and the more glorious that glory.
Language designers want to design the perfect language. They want to be able to say, 'My language is perfect. It can do everything.' But it's just plain impossible to design a perfect language, because there are two ways to look at a language. One way is by looking at what can be done with that language. The other is by looking at how we feel using that language-how we feel while programming.
Women do it all the time to look younger and it would make perfect sense if one of them ever came out looking younger - but they don't. They just look the same; they all get plastic surgery face. No matter who they look like going in, they all come out looking like the girl from the band on 'The Muppet Show.
Appreciate your body now. One day, you'll look back and regret all the time you wasted worrying about not looking perfect, because you were perfect the whole time.
Suspense is like a woman. The more left to the imagination, the more the excitement. ... The conventional big-bosomed blonde is not mysterious. And what could be more obvious than the old black velvet and pearls type? The perfect ‘woman of mystery’ is one who is blonde, subtle and Nordic. ... Although I do not profess to be an authority on women, I fear that the perfect title [for a movie], like the perfect woman is difficult to find.
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